Crafts: Between Archetype and Marketing

C. Noworol, Krzysztof Bondyra, M. Dziekanowska
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Abstract

Contemporary craft has gone beyond the pre-industrial stage in terms of technology, transforming into a service sector as well as small and medium industry. Not only does it bring together many of the most technologically and organizationally advanced enterprises, but it also refers to traditional, “craft” ways of production or design. Also, handicrafts and artistic crafts constitute a segment of craft activities. It plays a significant role in modernization and modification of the existing cultural systems by making a more or less conscious selection of elements belonging to both orders defined as traditional and modern. At the same time, craft supplies many reasons to appreciate its contribution to economic and social development. It provides jobs, it is creative and innovative, offering high quality products and services to customers. The aim of the article is to attempt to look at the topic of crafts from a historical and comparative point of view and to fill the cognitive gap by systematizing various concepts of the functioning of crafts. An attempt was made to organize the ways of defining crafts in various countries by characterizing the hitorical, religious and cultural-social dimensions. Then, the marketing potential of crafts, manifested by a large-scale consumer interest in a diversified offer of crafts, was analyzed.
手工艺:介于原型和营销之间
当代工艺在技术上已经超越了前工业阶段,转变为服务业和中小型工业。它不仅汇集了许多技术和组织上最先进的企业,而且还涉及传统的“工艺”生产或设计方式。此外,手工艺品和工艺美术也是工艺活动的一部分。它通过或多或少有意识地选择属于传统和现代两种秩序的元素,在现有文化体系的现代化和修改中发挥着重要作用。同时,工艺提供了许多理由来欣赏它对经济和社会发展的贡献。它提供就业机会,具有创造性和创新性,为客户提供高质量的产品和服务。本文的目的是试图从历史和比较的角度来看待工艺的主题,并通过系统化工艺功能的各种概念来填补认知空白。试图通过描述宗教、宗教和文化社会层面来组织各国工艺的定义方式。然后,分析了工艺品的营销潜力,表现为大规模消费者对多样化工艺品的兴趣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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