{"title":"Laughing Matter(s): Reactions of Muslims in Europe to Islamophobia and the Role of Comic Relief","authors":"Zeynep Aydin","doi":"10.1163/22117954-bja10082","DOIUrl":null,"url":null,"abstract":"\nLaughter and humour can have therapeutic effects on traumatized individuals. Now, the generation of Muslims that grew up after the 9/11 terror attacks is using comic relief to recount their experience with Islamophobia. While the trend started with television stand-up comedians and their performances, the movement has spread through the social media grape vine all the way from Twitter to TikTok. In this article the (social) media landscape is examined and comedic content is analysed to assess how and why content creators share their experiences. It finds that the greatest difference between content creators results from the gender-based experiences they draw on when recounting their stories. Comedy was a very strong means of communicating this highly sensitive subject. Through humour, content creators also wished to also break the stereotype of Muslims not understanding satire and just being an angry inflexible mob.","PeriodicalId":37992,"journal":{"name":"Journal of Muslims in Europe","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Muslims in Europe","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22117954-bja10082","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 2
Abstract
Laughter and humour can have therapeutic effects on traumatized individuals. Now, the generation of Muslims that grew up after the 9/11 terror attacks is using comic relief to recount their experience with Islamophobia. While the trend started with television stand-up comedians and their performances, the movement has spread through the social media grape vine all the way from Twitter to TikTok. In this article the (social) media landscape is examined and comedic content is analysed to assess how and why content creators share their experiences. It finds that the greatest difference between content creators results from the gender-based experiences they draw on when recounting their stories. Comedy was a very strong means of communicating this highly sensitive subject. Through humour, content creators also wished to also break the stereotype of Muslims not understanding satire and just being an angry inflexible mob.
期刊介绍:
The Journal of Muslims in Europe is devoted to publishing articles dealing with contemporary issues on Islam and Muslims in Europe from all disciplines and across the whole region, as well as historical studies of relevance to the present. The focus is on articles offering cross-country comparisons or with significant theoretical or methodological relevance to the field. Case studies with innovative approaches or on under-explored issues, and studies of policy and policy development in the various European institutions, including the European courts, and transnational movements and social and cultural processes are also welcome. The journal also welcomes book reviews. All contributions to the journal must display a substantial use of primary-source material and must be original. The editors also encourage younger scholars to submit contributions. The Journal of Muslims in Europe has a double-blind peer review system and publishes articles in both English and French.