{"title":"“Too much time”: time, women and “elsewhere” in Elizabeth Bowen’s A Time in Rome","authors":"Anne Hoag","doi":"10.1080/13645145.2021.1973722","DOIUrl":null,"url":null,"abstract":"ABSTRACT A Time in Rome, the only work of travel writing by Elizabeth Bowen (1899–1973), has been dismissed as an incoherent, fragmented account, offering neither a comprehensive guide to the capital nor insight into Bowen’s personal experience. Paying careful attention to Bowen’s use of time in the text, though, reveals a sense of the temporal that resonates with some theories set forth by Nietzsche and Bergson, whose views of the untimely and durée had an impact on some Modernist authors’ works. Bowen’s writing reveals her interest in uncovering a multiplicity of pasts and recovered histories in the capital city. Further, using Elizabeth Grosz’s theories on the feminist possibilities of Nietzsche’s and Bergson’s perspectives of time helps illuminate how Bowen’s text presents new spaces for women’s experience of time, memory and history in her travel writing, opening out new possibilities for alternative futures for women.","PeriodicalId":35037,"journal":{"name":"Studies in Travel Writing","volume":"25 1","pages":"34 - 49"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Travel Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13645145.2021.1973722","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT A Time in Rome, the only work of travel writing by Elizabeth Bowen (1899–1973), has been dismissed as an incoherent, fragmented account, offering neither a comprehensive guide to the capital nor insight into Bowen’s personal experience. Paying careful attention to Bowen’s use of time in the text, though, reveals a sense of the temporal that resonates with some theories set forth by Nietzsche and Bergson, whose views of the untimely and durée had an impact on some Modernist authors’ works. Bowen’s writing reveals her interest in uncovering a multiplicity of pasts and recovered histories in the capital city. Further, using Elizabeth Grosz’s theories on the feminist possibilities of Nietzsche’s and Bergson’s perspectives of time helps illuminate how Bowen’s text presents new spaces for women’s experience of time, memory and history in her travel writing, opening out new possibilities for alternative futures for women.
摘要伊丽莎白·鲍恩(Elizabeth Bowen,1899-1973)的唯一一部旅行作品《罗马时光》(A Time in Rome)被认为是一部语无伦次、支离破碎的作品,既没有提供全面的首都指南,也没有深入了解鲍恩的个人经历。然而,仔细关注鲍恩在文本中对时间的使用,揭示了一种时间感,这与尼采和柏格森提出的一些理论产生了共鸣,他们对不合时宜和过时的看法对一些现代主义作家的作品产生了影响。鲍恩的作品揭示了她对揭露首都的多重过去和恢复历史的兴趣。此外,运用伊丽莎白·格罗斯关于尼采和柏格森时间观的女权主义可能性的理论,有助于阐明鲍恩的文本如何在她的旅行写作中为女性的时间、记忆和历史体验提供新的空间,为女性的替代未来开辟新的可能性。
期刊介绍:
Founded in 1997 by Tim Youngs, Studies in Travel Writing is an international, refereed journal dedicated to research on travel texts and to scholarly approaches to them. Unrestricted by period or region of study, the journal allows for specific contexts of travel writing to be established and for the application of a range of scholarly and critical approaches. It welcomes contributions from within, between or across academic disciplines; from senior scholars and from those at the start of their careers. It also publishes original interviews with travel writers, special themed issues, and book reviews.