Do Not Read the Latin: Latin as Satanic Signifier in Supernatural Horror Cinema

IF 0.3 3区 社会学 0 CLASSICS
Nicholas Banner
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Abstract

This article examines the tropological use of the Latin language to evoke the diabolical in supernatural horror cinema. When Latin is intoned in a suitably Gothic context, horror-savvy audiences have every reason to foresee the Devil and his minions arriving in short order, and are rarely disappointed. This article examines the genealogy of this trope, modelling the prolegomena to an intellectual history of cinematic Satanic Latin. The first part of the analysis traces the development of the trope through literature via the European and American Gothic traditions, the writings of the Decadents, and supernatural horror literature. The analysis then broadens to encompass Occultism, the occult, and ‘occulture’ more generally as important aspects of the discourse-community within which Satanic Latin functions. Finally, the scholarly concept of ‘re-enchantment’ from the history of religions is brought to bear on the semiotic role of Satanic Latin in its performative cinematic context.
不要读拉丁语:在超自然恐怖电影中,拉丁语是撒旦的象征
本文探讨了超自然恐怖电影中对拉丁语的修辞运用,以唤起人们对恶魔的恐惧。当拉丁文在合适的哥特式背景下吟唱时,精通恐怖的观众有充分的理由预见到魔鬼和他的爪牙很快就会到来,而且很少会失望。本文考察了这一比喻的谱系,模拟了电影撒旦拉丁语的思想史。分析的第一部分追溯了修辞在文学中的发展,包括欧美哥特传统、颓废派的作品和超自然恐怖文学。然后,分析范围扩大,将神秘主义、神秘学和“神秘文化”更广泛地作为撒旦拉丁语发挥作用的话语社区的重要方面。最后,来自宗教史的“再魔法”的学术概念被带到撒旦拉丁语在其表演电影背景下的符号学角色上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
24
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