Bias Meaning of Symbols and Sings of Indonesian Topeng Malangan Puppet Show

Q2 Arts and Humanities
R. G. Tayibnapis, M. A. Muqsith, V. Muzykant, Ana Kuswant
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Abstract

The study is devoted to the discussion of symbols and signs in the Topeng Malangan puppet mask show, which is a traditional heritage of the ancient Javanese society. The Wayang or mask show is described as a depiction of human nature. Its very existence gives rise to many interpretations of the symbolism and meanings contained in it, and these conflicting interpretations seek to convey to their public their own vision of human essence in various historical circumstances. The costumed show of masked characters, like the masks themselves, cannot be separated from historical stories, such as Malangan Topeng Wayang , which tells about the history of the kingdoms of Daha and Jenggala , where the conflicting interpretations contained in the narration of symbols and signs are fully observed. Using a semiotic approach based on the R. Barthes model, the article explores the mythologized mask show, analyzes the symbols rooted in ancient history, which have come down to us in the form of drawings documented on fabric painting, lontars - manuscripts on palm leaves or in ancient books. The results of the study proved that the symbolism of signs and ancient artifacts of Malangan Topeng Wayang is rooted in retold stories that turn into folk fantasy myths that celebrate the heroism and kindness of the people of Indonesia. Nevertheless, these stories also show the presence of shameful pages of the past, hushed up by the community, since they immanently have more negative connotations which contribute to the emergence of some semantic bias, that, if misinterpreted, can distort historical facts.
印尼托彭·马兰根木偶戏符号和歌唱的偏误意义
本研究致力于讨论托彭·马兰甘木偶面具表演中的符号和标志,这是古代爪哇社会的传统遗产。瓦扬面具展被描述为对人性的描绘。它的存在引发了对其所包含的象征意义的许多解释,这些相互矛盾的解释试图向公众传达他们在各种历史环境中对人类本质的看法。面具人物的服装表演,就像面具本身一样,无法与历史故事分开,比如《马兰甘·托蓬·瓦扬》,它告诉了达哈王国和詹加拉王国的历史,在那里,符号和标志的叙述中所包含的相互冲突的解释得到了充分的观察。本文运用基于R.Barthes模型的符号学方法,探索了神话面具秀,分析了植根于古代历史的符号,这些符号以织物绘画、棕榈叶手稿或古籍中的绘画形式流传下来。研究结果证明,马兰甘·托彭·瓦扬的标志和古代文物的象征意义植根于重述的故事,这些故事变成了民间幻想神话,歌颂印度尼西亚人民的英雄主义和善良。然而,这些故事也表明了过去可耻的页面的存在,被社区掩盖了,因为它们本身就有更多的负面含义,这导致了一些语义偏见的出现,如果被误解,可能会扭曲历史事实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
RUDN Journal of Language Studies, Semiotics and Semantics
RUDN Journal of Language Studies, Semiotics and Semantics Arts and Humanities-Language and Linguistics
CiteScore
1.20
自引率
0.00%
发文量
54
审稿时长
16 weeks
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