{"title":"Species Identification of Common Native Arctic Mammals in Inuit Fur Clothing Based on Hair Microscopy","authors":"A. Schmidt","doi":"10.1080/00393630.2022.2130100","DOIUrl":null,"url":null,"abstract":"ABSTRACT Correct material identification is considered essential when documenting museum objects. This study examines the morphology of mammal hair and records the geographical use of common species in Inuit fur clothing collected by the National Museum of Denmark (NMD) from c. 1830–1940 in the Bering Strait region, Alaska, Arctic Canada, and Greenland. Through hair microscopy, the purpose is to test whether original identifications are correct to assess the origin of unique Inuit garments. By means of transmitted light microscopy (TLM) of stained, 1 µm thick cross-sectioned hairs and undyed, longitudinally mounted hairs, the research reveals that specific morphological structures are characteristic of the common native reindeer/caribou, musk ox, members of the seal family, domestic dog, wolf, Arctic fox, polar bear, and wolverine. Rarer animals (hare, lynx, otter, etc.) are not part of this study because of limitations in the collection. Hairs from seal species are difficult to distinguish from one another. Hairs from dog and wolf are distinguishable but have relatively similar morphology. Therefore, to confirm identification, supplementary analyses are required. The hair microscopy technique was used on 49 garments in NMD’s collections, and the results were compared to the original macroscopic species identification. The study revealed that the latter method is often erroneous when it comes to dog/wolf and wolverine fur.","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":"68 1","pages":"691 - 703"},"PeriodicalIF":0.8000,"publicationDate":"2022-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Conservation","FirstCategoryId":"92","ListUrlMain":"https://doi.org/10.1080/00393630.2022.2130100","RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Correct material identification is considered essential when documenting museum objects. This study examines the morphology of mammal hair and records the geographical use of common species in Inuit fur clothing collected by the National Museum of Denmark (NMD) from c. 1830–1940 in the Bering Strait region, Alaska, Arctic Canada, and Greenland. Through hair microscopy, the purpose is to test whether original identifications are correct to assess the origin of unique Inuit garments. By means of transmitted light microscopy (TLM) of stained, 1 µm thick cross-sectioned hairs and undyed, longitudinally mounted hairs, the research reveals that specific morphological structures are characteristic of the common native reindeer/caribou, musk ox, members of the seal family, domestic dog, wolf, Arctic fox, polar bear, and wolverine. Rarer animals (hare, lynx, otter, etc.) are not part of this study because of limitations in the collection. Hairs from seal species are difficult to distinguish from one another. Hairs from dog and wolf are distinguishable but have relatively similar morphology. Therefore, to confirm identification, supplementary analyses are required. The hair microscopy technique was used on 49 garments in NMD’s collections, and the results were compared to the original macroscopic species identification. The study revealed that the latter method is often erroneous when it comes to dog/wolf and wolverine fur.
期刊介绍:
Studies in Conservation is the premier international peer-reviewed journal for the conservation of historic and artistic works. The intended readership includes the conservation professional in the broadest sense of the term: practising conservators of all types of object, conservation, heritage and museum scientists, collection or conservation managers, teachers and students of conservation, and academic researchers in the subject areas of arts, archaeology, the built heritage, materials history, art technological research and material culture.
Studies in Conservation publishes original work on a range of subjects including, but not limited to, examination methods for works of art, new research in the analysis of artistic materials, mechanisms of deterioration, advances in conservation practice, novel methods of treatment, conservation issues in display and storage, preventive conservation, issues of collection care, conservation history and ethics, and the history of materials and technological processes. Scientific content is not necessary, and the editors encourage the submission of practical articles, review papers, position papers on best practice and the philosophy and ethics of collecting and preservation, to help maintain the traditional balance of the journal. Whatever the subject matter, accounts of routine procedures are not accepted, except where these lead to results that are sufficiently novel and/or significant to be of general interest.