Commodification of high heels against women's bodies on dancer Jathil Obyog in the Reog Ponorogo art show

IF 0.3 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
B. Suseno, Putri Prabu Utami
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引用次数: 0

Abstract

The performing art of Reog Ponorogo is a cultural heritage of the people of East Java which continues to experience development and several changes and progress. This study aims to identify the practice of commodifying high heels to complement the clothing of female dancer Jathil Obyog in the Reog Ponorogo art show. This study uses a qualitative method with a phenomenological approach. The results of this study explain that the high heels of Jathil Obyog dancers have value in supporting the appearance so that the legs look level, as well as forming a sturdy and proportional body posture in protecting the feet of female dancers in outdoor performances. The high heel exchange rate on Jathil Obyog's dancer's clothing is to raise the social status to an economic aesthetic value, while the symbolic value of high heels is a marker of sexuality for the female dancer Jathil Obyog to convey aggressiveness and eroticism to the audience, especially men. The conclusion of this study shows that high-heeled shoes can increase the sexual attractiveness (female body) of Jathil Obyog dancers by using a combination of semi-transparent or see-through tops, as well as the use of short pants that will make the thighs and buttocks look slimmer.
Reog Ponorogo艺术展上舞者Jathil Obyog的高跟鞋与女性身体的商品化
Reog Ponorogo的表演艺术是东爪哇人民的文化遗产,它继续经历发展和几次变化和进步。本研究旨在找出Reog Ponorogo艺术展览中女舞者Jathil Obyog服装的商品化做法。本研究采用现象学方法的定性方法。本研究的结果说明了Jathil Obyog舞者的高跟鞋在支撑外观,使腿部看起来水平,以及在室外表演中形成坚固和比例的身体姿势保护女性舞者的脚方面具有价值。Jathil Obyog舞者服装上的高跟鞋汇率是为了将社会地位提升到一种经济审美价值,而高跟鞋的象征价值则是女舞者Jathil Obyog向观众尤其是男性传达攻击性和情欲的一种性标志。这项研究的结论表明,高跟鞋可以增加Jathil Obyog舞者的性吸引力(女性身体),通过使用半透明或透明上衣的组合,以及使用短裤,使大腿和臀部看起来更修长。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Masyarakat Kebudayaan dan Politik
Masyarakat Kebudayaan dan Politik SOCIAL SCIENCES, INTERDISCIPLINARY-
自引率
0.00%
发文量
41
审稿时长
16 weeks
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