{"title":"Digital witnessing and the erasure of the racialized subject","authors":"N. Awan","doi":"10.1177/14704129211061182","DOIUrl":null,"url":null,"abstract":"Humanitarian agencies are relying more frequently on remote sensing, satellite imagery and social media to produce accounts of violence. Their analysis aims at creating more compelling narratives for the court of law or of public opinion and has contributed towards a forensic turn, thus complicating the already fraught relationship between the practice of witnessing and political subjects. This article explores how digital witnessing allows us to ‘see’ further and deeper into places that are at a distance from us, whilst at the same time creating the conditions that make certain subjects recede from view. I will discuss these issues in relation to a country I am familiar with and one that has been central to the forensic imagination – Pakistan – although the particular geographies within Pakistan that this imagination works with are not mine. Thinking with non-linear temporalities of violence, I explore how the forensic turn may have actually contributed to the erasure of the racialized political subject.","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"20 1","pages":"506 - 521"},"PeriodicalIF":0.4000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/14704129211061182","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Humanitarian agencies are relying more frequently on remote sensing, satellite imagery and social media to produce accounts of violence. Their analysis aims at creating more compelling narratives for the court of law or of public opinion and has contributed towards a forensic turn, thus complicating the already fraught relationship between the practice of witnessing and political subjects. This article explores how digital witnessing allows us to ‘see’ further and deeper into places that are at a distance from us, whilst at the same time creating the conditions that make certain subjects recede from view. I will discuss these issues in relation to a country I am familiar with and one that has been central to the forensic imagination – Pakistan – although the particular geographies within Pakistan that this imagination works with are not mine. Thinking with non-linear temporalities of violence, I explore how the forensic turn may have actually contributed to the erasure of the racialized political subject.
期刊介绍:
journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine