Investigating the role of drama in two enabling courses in Australia

IF 0.2 0 THEATER
Carol Carter, R. Sallis
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引用次数: 3

Abstract

This article discusses the use of drama as a method for teaching and learning using two case studies from different geographical locations and teaching contexts in Australia. The first, from the University of Newcastle, is in the field of enabling education that supports students to gain the knowledge and skills required to continue their journey to a higher education degree. The other, from an existing university pre-service teaching programme at the University of Melbourne, supports students to gain the knowledge and skills required to enter the teaching profession in an Australian context. Both case studies, which are also part of a broader, ongoing research project, examine the role drama can play in the creation of supportive dialogical spaces for learning in higher education contexts, where the students come from a diverse range of socio-cultural backgrounds. The qualitative research is framed by practitioner research, pedagogical methodology and ethnodrama. Dramatized dialogue is used to share our findings. To date, our research has revealed that drama education techniques and activities, and the use of ethnodrama, can both enhance student participation and engagement, and contribute to successfully achieving the aims and objectives of the respective programmes.
调查戏剧在澳大利亚两门教学课程中的作用
本文通过两个来自澳大利亚不同地理位置和教学环境的案例研究来讨论戏剧作为一种教学方法的使用。第一个来自纽卡斯尔大学,是在使能教育领域,支持学生获得知识和技能,继续他们的旅程,以获得更高的教育学位。另一个来自墨尔本大学现有的大学职前教学项目,支持学生获得在澳大利亚背景下进入教师职业所需的知识和技能。这两个案例研究都是一个更广泛的、正在进行的研究项目的一部分,研究了戏剧在创造高等教育背景下学习的支持性对话空间方面所发挥的作用,学生来自不同的社会文化背景。定性研究由实践者研究、教学方法论和民族戏剧构成。戏剧化的对话被用来分享我们的发现。迄今为止,我们的研究表明,戏剧教育技术和活动,以及民族戏剧的使用,都可以提高学生的参与度和参与度,并有助于成功实现各自项目的目的和目标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
50.00%
发文量
6
期刊介绍: Applied Theatre Research is the worldwide journal for theatre and drama in non-traditional contexts. It focuses on drama, theatre and performance with specific audiences or participants in a range of social contexts and locations. Contexts include education, developing countries, business and industry, political debate and social action, with children and young people, and in the past, present or future; locations include theatre which happens in places such as streets, conferences, war zones, refugee camps, prisons, hospitals and village squares as well as on purpose-built stages. The primary audience consists of practitioners and scholars of drama, theatre and allied arts, as well as educationists, teachers, social workers and community leaders with an awareness of the significance of theatre and drama, and an interest in innovative and holistic approaches to theatrical and dramatic production, learning and community development. Contributors include eminent and experienced workers and scholars in the field, but cutting-edge contemporary and experimental work from new or little-known practitioners is also encouraged. This double-blind peer-reviewed journal has a global focus and representation, with an explicit policy of ensuring that the best and most exciting work in all continents and as many countries as possible is represented and featured. Cultural, geographical, gender and socio-economic equity are recognised where possible, including in the Review Board.
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