{"title":"Investigating the role of drama in two enabling courses in Australia","authors":"Carol Carter, R. Sallis","doi":"10.1386/atr_00007_1","DOIUrl":null,"url":null,"abstract":"This article discusses the use of drama as a method for teaching and learning using two case studies from different geographical locations and teaching contexts in Australia. The first, from the University of Newcastle, is in the field of enabling education that supports students to gain the knowledge and skills required to continue their journey to a higher education degree. The other, from an existing university pre-service teaching programme at the University of Melbourne, supports students to gain the knowledge and skills required to enter the teaching profession in an Australian context. Both case studies, which are also part of a broader, ongoing research project, examine the role drama can play in the creation of supportive dialogical spaces for learning in higher education contexts, where the students come from a diverse range of socio-cultural backgrounds. The qualitative research is framed by practitioner research, pedagogical methodology and ethnodrama. Dramatized dialogue is used to share our findings. To date, our research has revealed that drama education techniques and activities, and the use of ethnodrama, can both enhance student participation and engagement, and contribute to successfully achieving the aims and objectives of the respective programmes.","PeriodicalId":41248,"journal":{"name":"Applied Theatre Research","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Applied Theatre Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/atr_00007_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 3
Abstract
This article discusses the use of drama as a method for teaching and learning using two case studies from different geographical locations and teaching contexts in Australia. The first, from the University of Newcastle, is in the field of enabling education that supports students to gain the knowledge and skills required to continue their journey to a higher education degree. The other, from an existing university pre-service teaching programme at the University of Melbourne, supports students to gain the knowledge and skills required to enter the teaching profession in an Australian context. Both case studies, which are also part of a broader, ongoing research project, examine the role drama can play in the creation of supportive dialogical spaces for learning in higher education contexts, where the students come from a diverse range of socio-cultural backgrounds. The qualitative research is framed by practitioner research, pedagogical methodology and ethnodrama. Dramatized dialogue is used to share our findings. To date, our research has revealed that drama education techniques and activities, and the use of ethnodrama, can both enhance student participation and engagement, and contribute to successfully achieving the aims and objectives of the respective programmes.
期刊介绍:
Applied Theatre Research is the worldwide journal for theatre and drama in non-traditional contexts. It focuses on drama, theatre and performance with specific audiences or participants in a range of social contexts and locations. Contexts include education, developing countries, business and industry, political debate and social action, with children and young people, and in the past, present or future; locations include theatre which happens in places such as streets, conferences, war zones, refugee camps, prisons, hospitals and village squares as well as on purpose-built stages. The primary audience consists of practitioners and scholars of drama, theatre and allied arts, as well as educationists, teachers, social workers and community leaders with an awareness of the significance of theatre and drama, and an interest in innovative and holistic approaches to theatrical and dramatic production, learning and community development. Contributors include eminent and experienced workers and scholars in the field, but cutting-edge contemporary and experimental work from new or little-known practitioners is also encouraged. This double-blind peer-reviewed journal has a global focus and representation, with an explicit policy of ensuring that the best and most exciting work in all continents and as many countries as possible is represented and featured. Cultural, geographical, gender and socio-economic equity are recognised where possible, including in the Review Board.