Human crises and the COVID-19 pandemic: a review

IF 1.5 Q1 CULTURAL STUDIES
Sarbani Banerjee
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引用次数: 0

Abstract

ABSTRACT The COVID-19 pandemic has not only claimed innumerable lives but the concomitant inflation has also frustrated many small and large enterprises, not to mention the loss of jobs that employees have suffered and sometimes succumbed to through self-harm and suicides. In this context, this paper probes how a politics of representation has deeply informed the dissemination and consumption of ‘COVID news,’ rendering a legitimate visibility largely to the loss and contributions of subjects that have access to socio-economic and political resources. Milan Kundera uses the term ‘symbolic voltage’ to refer to the role that the media plays in ‘constructing’ our everyday realities. In The Lost Dimension, Paul Virilio states that modern media technology has created a ‘crisis of representation’ or an optical illusion, where the distinctions between near and far, object and image, have imploded. In a bid to keep apace with a metanarrative of pandemic-engendered loss, the collective consciousness of different societies has not adequately focused on the marginalised subjects – the wage worker, the woman, the juvenile and the scholar from suburban/rural area. The paper argues that the ‘Covid-19-as-a-past’ is likely to be represented through the semantics of traditional history, which is a narrative of and by the powerful.
人类危机与COVID-19大流行:综述
摘要新冠肺炎疫情不仅夺去了无数人的生命,随之而来的通货膨胀也让许多大型和小型企业感到沮丧,更不用说员工因自残和自杀而失去工作。在这种背景下,本文探讨了代表性政治如何深入影响“新冠肺炎新闻”的传播和消费,在很大程度上为获得社会经济和政治资源的主体的损失和贡献提供了合法的可见性。米兰·昆德拉使用“象征性电压”一词来指代媒体在“构建”我们的日常现实中所扮演的角色。Paul Virilio在《迷失的维度》一书中指出,现代媒体技术已经造成了一种“表现危机”或视觉错觉,在这种情况下,近与远、物体与图像之间的区别已经破裂。为了跟上疫情造成的损失的元叙事,不同社会的集体意识没有充分关注边缘化的主体——工薪阶层、妇女、青少年和来自郊区/农村地区的学者。该论文认为,“Covid-19即过去”很可能通过传统历史的语义来表示,传统历史是对权贵的叙述,由权贵来叙述。
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来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
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