“Where is your fixed point?” Dealing with ambiguous freelance musician careers

IF 1.7 2区 社会学 Q1 CULTURAL STUDIES
Anna Nørholm Lundin
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引用次数: 3

Abstract

ABSTRACT The pandemic Covid-19 has highlighted the precarious working conditions that freelance performers and artists have always worked under. The aim of this article is to understand and explain freelance musicians’ strategies and emotional labour for dealing with their ambiguous positions and careers. The article develops a theoretical approach, combining concepts of precarity and emotional labour with Bourdieu’s theory of social practices. Interviews with 13 professional Swedish freelance musicians in the art music/classical genre were conducted in the winter of 2021. What is at stake in the gigs the freelancers have, are issues of social belonging and symbolic recognition. Aspirations for working life are negotiated in obvious and subtle ways, practically and emotionally. The freelancers strive to create a fixed point in a job on uncertain grounds.
“你的固定点在哪里?”处理模糊的自由音乐人职业
摘要新冠肺炎疫情凸显了自由职业表演者和艺术家一直在不稳定的工作条件下工作。本文的目的是了解和解释自由音乐人处理其模糊职位和职业的策略和情感劳动。文章提出了一种理论方法,将不稳定和情感劳动的概念与布迪厄的社会实践理论相结合。2021年冬天,对13名瑞典艺术音乐/古典音乐专业自由音乐人进行了采访。自由职业者的演出关系到社会归属和象征性认可的问题。对工作生活的渴望是以明显和微妙的方式进行谈判的,无论是在实践上还是在情感上。自由职业者在不确定的理由下努力在工作中创造一个固定的点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Cultural Trends
Cultural Trends Multiple-
CiteScore
5.90
自引率
16.10%
发文量
36
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