Poetry Writing as Transgressive Ethnography

IF 0.6 1区 艺术学 0 MUSIC
S. Williams
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引用次数: 1

Abstract

Poetry writing can be a useful and effective tool in managing the challenging experiences of fieldwork, performing, writing, and teaching. As an act of creation, writing poetry transgresses the sense that legitimate ethnographic work must be rendered as prose. Instead, poetry serves as a powerful way to understand the self and one's experiences in context, particularly as part of the exploratory liminal stage between experience and publication. Poetry writing also complicates the idea that one's fieldwork (or teaching) is linear, objective, sequential, and falls neatly into a specific format when we try to render it in writing. In this article, examples of memory, fieldwork, and teaching all connect to moments of creation and, in turn, closer understanding.
诗歌写作是越界的民族志
诗歌写作可以是一个有用的和有效的工具,在管理具有挑战性的经验,实地考察,表演,写作和教学。作为一种创作行为,写诗违背了合法的民族志作品必须以散文形式呈现的观念。相反,诗歌是在语境中理解自我和个人经历的一种强有力的方式,尤其是作为经历和出版之间探索性阈值阶段的一部分。诗歌创作也使田野调查(或教学)是线性的、客观的、连续的,当我们试图将其呈现在写作中时,它会整齐地落入特定的格式的想法变得复杂。在这篇文章中,记忆、实地考察和教学的例子都与创造的时刻有关,反过来,更深入的理解。
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来源期刊
CiteScore
1.30
自引率
14.30%
发文量
30
期刊介绍: As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.
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