Licia’s Lectures on Nothing

Abstract

Considering its lugubrious content, it seems odd, more than forty years later, that the music industry and listening public frantically celebrated “nothingness” in this very melodramatic way. The muscular symphonic orchestra rushed to keep pace with the singer who had appeared, seemingly out of nowhere and literally came out of the nowhere that was Puerto Rico to Latin America, the United States, and the world. Licia Fiol-Matta, The Great Woman Singer, 1