‘Mapping the Most Influential Art Districts in Shanghai (1912-1948) through Clustering Analysis’

IF 0.5 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-06-23 DOI:10.1080/10632921.2022.2080137

Jane Zheng, Jie He, Zhen Fan, Sabrina P.Y. Zhang, Hui Lin, Yuen-sang Leung

引用次数: 3

Abstract

Abstract This research proposes a new method to map and classify art clusters, combining multiple dimensions of spatial and social network analyses. This method innovatively blends a historic GIS approach, spatial statistics and qualitative data analysis, and experiments with the Republican-period of Shanghai art world, known as the golden age of art and culture in Shanghai. The outcome is the identification of 11 major art clusters in eight selected years with unique characteristics. It also uncovers a partially correlated yet dialectic relationship between social network dynamics and cluster transformation in Shanghai. These findings fill a knowledge gap in Chinese art history.

查看原文本刊更多论文

“通过聚类分析绘制上海最具影响力的艺术区(1912-1948)”

摘要本研究结合空间和社会网络分析的多个维度，提出了一种绘制和分类艺术集群的新方法。该方法创新性地融合了历史GIS方法、空间统计和定性数据分析，并与被称为上海艺术文化黄金时代的上海艺术界共和时期进行了实验。结果是在八个选定的年份中确定了11个具有独特特色的主要艺术集群。揭示了上海社会网络动态与集群转型之间的一种部分相关但又辩证的关系。这些发现填补了中国艺术史上的一个知识空白。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.50

自引率

0.00%

发文量

期刊介绍： How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.