{"title":"The Religious Feminist Subject as Material-Discursive Circuit","authors":"I. Hovland","doi":"10.1163/18785417-tat00001","DOIUrl":null,"url":null,"abstract":"\n This article describes three different readings of the creation story of Eve and Adam, occurring over the life span of Henny Dons, a Protestant Christian and first-wave feminist in early-twentieth-century Norway. I discuss her changing understandings of this creation account over the course of her life. More broadly I explore her approach to biblical reading (as receiving, arranging, and iterating) and how this shaped her as a religious feminist subject. I argue that what is going on in her iterated re-readings is not fully captured by the frame of self-cultivation. Rather, this religious feminist subject shows us a series of woman-word operations that receive and arrange a variety of material and discursive entities together in a circuit of “being created woman.”","PeriodicalId":92716,"journal":{"name":"Religion & gender","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Religion & gender","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18785417-tat00001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
This article describes three different readings of the creation story of Eve and Adam, occurring over the life span of Henny Dons, a Protestant Christian and first-wave feminist in early-twentieth-century Norway. I discuss her changing understandings of this creation account over the course of her life. More broadly I explore her approach to biblical reading (as receiving, arranging, and iterating) and how this shaped her as a religious feminist subject. I argue that what is going on in her iterated re-readings is not fully captured by the frame of self-cultivation. Rather, this religious feminist subject shows us a series of woman-word operations that receive and arrange a variety of material and discursive entities together in a circuit of “being created woman.”