{"title":"Wings or Armor? Costume, Metaphor, and the Limits of Utopia in Aristophanes’s Birds","authors":"Pavlos Sfyroeras","doi":"10.5406/illiclasstud.45.2.0310","DOIUrl":null,"url":null,"abstract":"Abstract:What does Peisthetairos give the Rebellious Youth, the first of three intruders in search of wings? The interpretation of Birds 1360–69 has divided commentators since antiquity: does the youth receive wings to be viewed as weapons or weapons to be viewed as wings? On the basis of internal textual evidence and intertextual allusions, I argue for the latter option: instead of the requested bird apparatus, Peisthetairos offers military equipment. This is not a trivial question affecting exclusively, or even primarily, staging. On the contrary, the answer we provide is significant for the play as a whole: it has to do with the reflection, so central in Birds, on the ontological status of the comic utopia; hence, on the relationship between language and reality.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"45 1","pages":"310 - 332"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Illinois classical studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/illiclasstud.45.2.0310","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:What does Peisthetairos give the Rebellious Youth, the first of three intruders in search of wings? The interpretation of Birds 1360–69 has divided commentators since antiquity: does the youth receive wings to be viewed as weapons or weapons to be viewed as wings? On the basis of internal textual evidence and intertextual allusions, I argue for the latter option: instead of the requested bird apparatus, Peisthetairos offers military equipment. This is not a trivial question affecting exclusively, or even primarily, staging. On the contrary, the answer we provide is significant for the play as a whole: it has to do with the reflection, so central in Birds, on the ontological status of the comic utopia; hence, on the relationship between language and reality.