{"title":"The Fag End of Fāgogo","authors":"D. Mcmullin","doi":"10.13110/NARRCULT.6.2.0216","DOIUrl":null,"url":null,"abstract":"Abstract:\"The Fag End of Fāgogo\" is a poetic essay by queer writer Taulapapa that situates his writing practice as a fa'afafine artist within the Samoan tradition of storytelling, specifically the practice of fāgogo. It begins with part of a story, \"Papatea,\" based on narratives of Samoan creation, using a space somewhere between the English and the Samoan languages, narrative structures, and literary conventions. The essay looks at comparative Samoan, English, and US analyses of Samoan narrative practice in its traditional and contemporary forms. Fāgogo is a storytelling practice that differs greatly from official narratives like tala and solo of Samoan culture, which are concerned with establishing genealogical lines. Fāgogo practitioners were and are more often women, and the work has a feminist viewpoint. Taulapapa also looks at the political focus of contemporary fāgogo within the postcolonial context of the Pacific Islands and Oceania.","PeriodicalId":40483,"journal":{"name":"Narrative Culture","volume":"6 1","pages":"216 - 228"},"PeriodicalIF":0.8000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Narrative Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/NARRCULT.6.2.0216","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract:"The Fag End of Fāgogo" is a poetic essay by queer writer Taulapapa that situates his writing practice as a fa'afafine artist within the Samoan tradition of storytelling, specifically the practice of fāgogo. It begins with part of a story, "Papatea," based on narratives of Samoan creation, using a space somewhere between the English and the Samoan languages, narrative structures, and literary conventions. The essay looks at comparative Samoan, English, and US analyses of Samoan narrative practice in its traditional and contemporary forms. Fāgogo is a storytelling practice that differs greatly from official narratives like tala and solo of Samoan culture, which are concerned with establishing genealogical lines. Fāgogo practitioners were and are more often women, and the work has a feminist viewpoint. Taulapapa also looks at the political focus of contemporary fāgogo within the postcolonial context of the Pacific Islands and Oceania.
摘要:《Fag End of Fāgogo》是酷儿作家陶拉帕帕的一篇诗歌文章,将他作为一名fa'afafine艺术家的写作实践置于萨摩亚讲故事的传统中,特别是Fāgogo。它以故事的一部分“木瓜”开始,该故事基于萨摩亚人的创作叙事,使用了英语和萨摩亚语言之间的空间、叙事结构和文学惯例。这篇文章着眼于萨摩亚、英国和美国对萨摩亚传统和现代叙事实践的比较分析。Fāgogo是一种讲故事的实践,与萨摩亚文化的塔拉和独奏等官方叙事有很大不同,后者关注建立家谱。法戈医生过去和现在都是女性,这部作品有女权主义的观点。Taulappa还着眼于太平洋岛屿和大洋洲后殖民背景下当代fāgogo的政治焦点。
期刊介绍:
Narrative Culture is a new journal that conceptualizes narration as a broad and pervasive human practice, warranting a holistic perspective that grasps the place of narrative comparatively across time and space. The journal invites contributions that document, discuss and theorize narrative culture, and offers a platform that integrates approaches spread across various disciplines. The field of narrative culture thus outlined is defined by a large variety of forms of popular narratives, including not only oral and written texts, but also narratives in images, three-dimensional art, customs, rituals, drama, dance, music, and so forth. Narrative Culture is peer-reviewed and international as well as interdisciplinary in orientation.