Wordsworth’s Antipodean Poetics

IF 0.4 3区 文学 0 LITERATURE
P. Giles
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引用次数: 0

Abstract

Abstract:This essay describes how Wordsworth’s poetry engages with geographical materialism to inscribe an antipodean aesthetics that raise questions about imaginative interactions between proximate and distant. These become crucial to Wordsworth’s representation of antithesis and reversal across time as well as space. It considers how Wordsworth introduced the politics of colonization to contemplate the status of local indigeneity in relation to metaphors of global cartography. It then addresses how figures of transposition, self-contradiction and doubling permeate The Excursion and concludes by suggesting ways in which such an antipodean imaginary can be seen as integral to the larger designs of Wordsworth’s poetry.
华兹华斯的反波德诗学
摘要:本文描述了华兹华斯的诗歌如何运用地理唯物主义来诠释一种对地美学,这种对地美学提出了近与远之间想象互动的问题。这些对华兹华斯跨越时间和空间的对立和逆转的表现至关重要。它考虑了华兹华斯如何引入殖民政治来思考当地土著的地位与全球制图的隐喻。然后讨论了换位,自相矛盾和双重形象是如何渗透到《漫游》中的,最后提出了这样一种对立的想象可以被视为华兹华斯诗歌更大设计的组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
36
期刊介绍: Studies in Romanticism was founded in 1961 by David Bonnell Green at a time when it was still possible to wonder whether "romanticism" was a term worth theorizing (as Morse Peckham deliberated in the first essay of the first number). It seemed that it was, and, ever since, SiR (as it is known to abbreviation) has flourished under a fine succession of editors: Edwin Silverman, W. H. Stevenson, Charles Stone III, Michael Cooke, Morton Palet, and (continuously since 1978) David Wagenknecht. There are other fine journals in which scholars of romanticism feel it necessary to appear - and over the years there are a few important scholars of the period who have not been represented there by important work.
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