“Vanguardia” y “retaguardia” musical en Cuba: relatos históricos y polémicas (1961-1971)

IF 0.3 0 MUSIC

Oido Pensante Pub Date : 2020-08-06 DOI:10.34096/oidopensante.v8n2.8062

Yurima Blanco García, Ailer Pérez Gómez

引用次数: 0

Abstract

This work starts from a question: which has been the historiographical narrative of the Cuban musical avant-garde and its polemics? Its aim is to define the tensions that took place in musical creation at the beginning of the Cuban Revolution by examining the historiographic sources signed by its protagonists. The musical avant-garde in Cuba is located in the incipient context of the Revolution and was initially led by Juan Blanco (1919-2008) and Leo Brouwer (1939). This movement not only stood out for the technical, aesthetic and social innovation of its proposal, but it also became an artistic and ideological elite. At the same time, there was another discourse in the compositional and critical field, described as “musical rearguard”

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这部作品从一个问题开始：古巴音乐先锋派及其论战的历史叙事是什么？它的目的是通过研究主人公签署的历史资料来确定古巴革命初期音乐创作中发生的紧张局势。古巴的音乐先锋派处于革命初期，最初由胡安·布兰科（1919-2008）和利奥·布鲁沃（1939）领导。这场运动不仅因其提出的技术、美学和社会创新而脱颖而出，而且成为艺术和思想的精英。与此同时，在作曲和评论领域还有另一种话语，被描述为“音乐后卫”

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Oido Pensante MUSIC-

CiteScore

0.40

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： The aim of El oído pensante is to promote the discussion of theoretical, methodological and epistemological dilemmas faced by different kinds of music research. Unpublished articles in Spanish, Portuguese and English dealing with ethnomusicology, anthropology, sociology of music, popular music studies, musicology, and cultural studies, among other disciplines, are received. Papers should be original and those which produce criticism of theoretical paradigms, methodology, transdisciplinarity, knowledge validation, research ideologies, representation resources, narrative strategies, ethic and esthetic research perspectives, relationships during the fieldwork experience, social and political research significance, the researcher’s perceptive and conceptual baggage, new technologies and their ways of spreading and sharing knowledge, etc., will be welcome. Since the intention of the journal is to promote critical thought aimed to dismantle usual concepts and to open new approaches, papers restricted to analyzing particular cases will not be accepted. However, it is expected that authors bring some cases into the text in order to support their main ideas. Articles and reviews are received.