{"title":"Max Klinger’s Brahmsphantasie: The Physiological Sublime, Embodiment, and Male Identity","authors":"Marsha L. Morton","doi":"10.29411/ncaw.2022.21.1.3","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NineteenthCentury Art Worldwide","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29411/ncaw.2022.21.1.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}