Cross-cultural art therapy in the virtual realm: reimagining cultural proficiency in Kenya

IF 2.3 Q2 PSYCHOLOGY, CLINICAL
Kim Valldejuli, Sarah Vollmann
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引用次数: 0

Abstract

ABSTRACT Background This article describes a remote psychosocial art therapy group for educators in Kenya, led by a Barbadian and an American art therapist, and explores cross-cultural considerations. Context Intervention took place in Kibera, Kenya, an economically disadvantaged urban area, in 2020–2021. Group participants explored experiences of trauma and loss, as illustrated in art therapy case examples, and psychoeducation was provided on arts-based, trauma-informed interventions for children. Approach Group goals were developed in conjunction with the hosting Kenyan NGOs. Outcomes Ongoing adaptations and flexibility were needed due to cross-cultural challenges and the group’s remote status. The art therapists strove to ground themselves in a reflexive, self-aware stance. Conclusions Despite the group’s remote status and varied cultural dilemmas, flexibility and the centring of participant voices promoted group cohesion. Art-making and the group container enabled the expression of shared trauma, loss, faith, and resilience. Group members introduced their own arts traditions into the group, building resilience and taking leadership. Implications for research Cross-cultural art therapy interventions hold promise if group participants are given the space to lead and set their own goals. Future studies should continue to identify challenges that arise in cross-cultural art therapy settings while also examining the long-term effects and efficacy of these interventions. Plain-language summary This article describes a remote art therapy project led in Kenya by a Barbadian and an American art therapist. It was hosted by two Kenyan NGOs, and was implemented by the Red Pencil, an international humanitarian organisation. Through the lens of this experience, the authors explore cross-cultural, remote art therapy practice, and its essential grounding in cultural competence, cultural humility, and the consideration of cross-cultural power dynamics. They share their experiences of implementing a remote art therapy group in Kibera, Kenya, a disadvantaged urban area, with Kenyan educators during the COVID-19 pandemic, and describe their aims to provide psychosocial support while maintaining an ethically informed, collaborative stance that centred participant voices. Flexibility and creativity were paramount to combat technical difficulties and limitations of the virtual space. Group cohesion and safety were fostered as participants adaptively initiated practices of healing and socialisation that were rooted in their own cultural traditions. Art therapy assisted in promoting expression and solidarity, as illustrated in case examples, for group members facing trauma, loss, and strains of the pandemic. Recommended future research includes the ongoing identification of challenges that arise in cross-cultural art therapy settings, and the examination of the long-term effects and efficacy of these interventions.
虚拟世界中的跨文化艺术疗法:重新想象肯尼亚的文化熟练程度
本文描述了一个由巴巴多斯人和美国艺术治疗师领导的肯尼亚教育工作者远程心理社会艺术治疗小组,并探讨了跨文化的考虑。2020-2021年,在经济落后的肯尼亚城市基贝拉进行了干预。小组参与者探讨了创伤和损失的经历,如艺术治疗案例所示,并为儿童提供了基于艺术的、创伤知情的干预措施的心理教育。方针小组的目标是与肯尼亚主办的非政府组织共同制定的。结果:由于跨文化挑战和群体的偏远地位,需要持续的适应和灵活性。艺术治疗师努力使自己处于一种反射性的、自我意识的立场。尽管群体地位遥远,文化困境多样,但参与者声音的灵活性和集中化促进了群体凝聚力。艺术创作和群体容器使人们能够表达共同的创伤、失落、信仰和韧性。小组成员将自己的艺术传统引入小组,建立弹性并发挥领导作用。如果团体参与者被给予领导和设定自己目标的空间,跨文化艺术治疗干预就会有希望。未来的研究应该继续确定跨文化艺术治疗环境中出现的挑战,同时也检查这些干预措施的长期影响和功效。这篇文章描述了一个巴巴多斯人和一个美国艺术治疗师在肯尼亚领导的远程艺术治疗项目。它由两家肯尼亚非政府组织主办,由国际人道主义组织“红铅笔”(Red Pencil)执行。通过这一经历,作者探索了跨文化的、远程的艺术治疗实践,以及它在文化能力、文化谦逊和对跨文化权力动态的考虑方面的基本基础。他们分享了在2019冠状病毒病大流行期间与肯尼亚教育工作者在肯尼亚基贝拉(一个弱势城市地区)实施远程艺术治疗小组的经验,并描述了他们提供社会心理支持的目标,同时保持以参与者声音为中心的道德知情和合作立场。灵活性和创造性对于克服虚拟空间的技术困难和限制至关重要。团体凝聚力和安全得到了培养,因为参与者适应性地开始了根植于他们自己的文化传统的治疗和社会化实践。艺术疗法有助于促进表达和团结,如案例所示,对于面临创伤、损失和流行病压力的团体成员。建议的未来研究包括对跨文化艺术治疗环境中出现的挑战的持续识别,以及对这些干预措施的长期影响和功效的检查。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
5.40
自引率
0.00%
发文量
19
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