Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design, by Ginger Nolan

IF 0.4 1区艺术学 0 ART

ART BULLETIN Pub Date : 2022-10-02 DOI:10.1080/00043079.2022.2104107

Maura Lucking

引用次数: 0

Abstract

8. Gitelman and Folwer argue that paper can “be framed as ephemeral, transient, and cheap, while also construed to represent something durable, rooted, and authoritative at the same time” (12). Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents (Durham, NC: Duke University Press, 2014); Caroline Fowler, The Art of Paper: From the Holy Land to the Americas (New Haven: Yale University Press, 2019). See also Lothar Müller, White Magic: The Age of Paper (Cambridge, UK: Polity, 2014).

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《从野蛮的头脑到野蛮的机器:种族科学和二十世纪的设计》，作者:金格·诺兰

8.Gitelman和Folwer认为，纸张可以“被定义为短暂的、短暂的和廉价的，同时也可以被解释为代表持久的、根深蒂固的和权威的东西”（12）。Lisa Gitelman，《论文知识：走向文献的媒介史》（北卡罗来纳州达勒姆：杜克大学出版社，2014）；卡罗琳·福勒，《纸的艺术：从圣地到美洲》（纽黑文：耶鲁大学出版社，2019）。另见Lothar Müller，《白色魔法：纸的时代》（英国剑桥：Polity，2014）。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ART BULLETIN ART-

CiteScore

0.70

自引率

28.60%

发文量

期刊介绍： The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December