La meloterapia en el pensamiento y la obra de Isidoro de Sevilla

IF 0.2 4区 艺术学 N/A MUSIC
José María Diago Jiménez
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引用次数: 0

Abstract

Isidore of Seville (ca. 565-633), Father and Doctor of the Church, is considered one of the greatest encyclopaedists of Late Antiquity and the High Middle Ages. Among the many topics he dealt with was music and, within this, its medical or healing power, a topic that enjoyed a great literary tradition in Classical Antiquity due, in large part, to the diffusion of its deep philosophical-musical roots, fundamentally of a Pythagorean and Platonic nature. This article locates and analyzes for the first time all the Isidorian reflections on this topic distributed throughout several works of the bishop of Seville. In order to do this, the classical and patristic tradition from which they originate will be used, taking also into account the rest of the Isidorian musical thought.
塞维利亚伊西多尔的思想和工作中的旋律疗法
塞维利亚的伊西多尔(约565-633年),教堂的神父和博士,被认为是古代晚期和中世纪晚期最伟大的百科全书之一。在他处理的众多主题中,音乐及其医疗或治愈力是一个在古典古代享有伟大文学传统的主题,这在很大程度上是由于其深厚的哲学音乐根源的传播,从根本上讲,它具有毕达哥拉斯和柏拉图的性质。本文首次定位并分析了分布在塞维利亚主教的几部作品中的伊西多里亚对这一主题的所有反思。为了做到这一点,他们起源的古典和爱国主义传统将被使用,同时也考虑到伊西多利亚音乐思想的其余部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
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0
审稿时长
48 weeks
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