On self-extraction

IF 0.2 0 DANCE
Nevarez Encinias
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引用次数: 1

Abstract

Written under a pandemic stay-at-home order, this article conceives of flamenco choreography and performance as an artisanal craft, likening several of the tradition’s practices to the act of making a coffee. Drawing upon historical descriptions of the art form, theoretical debates from the postmodern shift in dance-making and personal anecdote, the article scrutinizes the notion of ‘self-expression’ and confronts flamenco’s enduring reputation as a dance of extravagant emotion, passion, spontaneity and authenticity. The article experiments with experiential and poetic modes of address to ruminate broadly on artisanship as a creative model for dance-makers, and proposes an interdisciplinary frame-of-mind for choreographers, from a time when traditional live performance was on pause.
关于自我提取
这篇文章是在疫情期间的居家令下撰写的,它将弗拉门戈舞蹈和表演视为一种手工艺品,将这一传统的几种做法比作煮咖啡。根据对艺术形式的历史描述、舞蹈制作后现代转变的理论辩论和个人轶事,文章仔细审视了“自我表达”的概念,并直面弗拉门戈作为一种具有奢华情感、激情、自发性和真实性的舞蹈而经久不衰的声誉。这篇文章尝试了体验式和诗意的演讲模式,以广泛反思手工艺作为舞蹈制作人的创作模式,并为编舞家提出了一种跨学科的思维框架,从传统现场表演暂停的时候开始。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
9
期刊介绍: Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.
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