WOOD SPECIES AND THE QUESTION OF ORIGIN: REASSESSING THE SCULPTURE PRODUCTION IN THE DIOCESE OF TURKU (ÅBO) DURING THE 14TH CENTURY

IF 0.1 0 ART

Baltic Journal of Art History Pub Date : 2019-12-30 DOI:10.12697/bjah.2019.18.02

Katri Vuola

引用次数: 1

Abstract

It was oak that was preferred abroad, sometimes limewood, for such carvings. In the Nordic countries birch and other of our common wood species were used for this, yet, in the old account books one can also find remarks on the imports of wood during the 15th and 16th centuries, possibly for the material of the artworks, for the most part possibly mainly for the chairs and chests in the castles as well as bishops’ seats and choir screens, e.g. for the needs of the churches.1

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木材种类与起源问题：重新评估14世纪图尔库（ÅBO）教区的雕塑作品

在国外，人们更喜欢用橡木雕刻，有时用石灰木雕刻。在北欧国家，桦树和其他常见的木材被用于此目的，然而，在旧的账簿中，人们也可以找到关于15世纪和16世纪木材进口的注释，可能是关于艺术品的材料，大部分可能主要是关于城堡中的椅子和箱子，以及主教的座椅和唱诗班的屏风，例如为了教会的需要。1

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来源期刊

Baltic Journal of Art History ART-

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期刊介绍： THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.