String Teachers’ Perspectives of Nontraditional Music Courses and Ensembles in Public Schools

Q1 Arts and Humanities
Anna Savage, Adam G. Harry
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引用次数: 0

Abstract

The purpose of this descriptive study was to examine school string teachers’ beliefs about and practices of teaching nontraditional music courses. We surveyed middle and high school string teachers ( N = 42) about what nontraditional music courses and ensembles (NMCEs) they currently offer and would like to offer to their students. In addition, we examined the educational rationales that string teachers have for offering NMCEs. Our findings indicated that the most frequently offered NMCEs were guitar class, pit orchestra, and music technology. Participants expressed strongest interest in adding fiddle club, popular music, and mariachi ensemble. The participants explained that NMCEs provide opportunities to teach content that closely may more reflect students’ cultures and possibly attract a wider range of students. The participants used NMCEs to cultivate musical skills that are often overlooked in large-group setting, including improvisation, playing by ear, and collaborative arranging and composition.
公立学校非传统音乐课程和乐团弦乐教师的观点
本描述性研究的目的是考察学校弦乐教师对非传统音乐课程教学的信念和实践。我们调查了42名初中和高中弦乐教师,了解他们目前提供和希望为学生提供哪些非传统音乐课程和合奏(NMCEs)。此外,我们还调查了教师提供nmce的教育依据。我们的研究结果表明,最常见的nmce是吉他课,坑管弦乐和音乐技术。参与者对增加小提琴俱乐部、流行音乐和墨西哥流浪乐队的合奏表现出强烈的兴趣。与会者解释说,新中学提供的教学内容更贴近学生的文化,可能会吸引更广泛的学生。参与者使用NMCEs来培养在大群体环境中经常被忽视的音乐技能,包括即兴演奏、凭耳朵演奏、合作编曲和作曲。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
0.40
自引率
0.00%
发文量
9
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