The ideal homes competitions of the 1930’s. Architectural setting for a South African white middle-class

IF 0.5 4区 艺术学 0 ARCHITECTURE
A. Steenkamp
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引用次数: 0

Abstract

Abstract This article investigates the Rand Daily Mail Ideal Homes Competition (1934) and the Argus Ideal Homes Competition (1937) as representations of white South African middle-class culture in the 1930’s. Drawing on Amos Rapoport’s use of ‘setting’, it explores how this group’s cultural values and beliefs where encultured in these competitions. It tells the story of a recently regulated architectural profession’s attempt to, with architects at the same time competing with one another and working together, promote their skills and values to the public. The limiting of this ‘public’ to a white middle-class is related to broader cultural, social and spatial orders of a racially segregated South African society. The article shows how norms of good domesticity, ideal family and civil society found a setting in the ideals of the competitions and the white middle-class cultural order.
20世纪30年代的理想家园竞赛。南非白人中产阶级的建筑背景
摘要本文考察了作为20世纪30年代南非白人中产阶级文化代表的《兰德每日邮报》理想家园竞赛(1934年)和《阿格斯理想家园竞赛》(1937年)。它借鉴了阿莫斯·拉波波特对“背景”的使用,探讨了这个群体的文化价值观和信仰是如何在这些比赛中融入的。它告诉了一个最近受到监管的建筑行业试图通过建筑师之间的竞争和合作,向公众宣传他们的技能和价值观的故事。这种“公众”对白人中产阶级的限制与种族隔离的南非社会更广泛的文化、社会和空间秩序有关。这篇文章展示了良好的家庭生活、理想的家庭和公民社会的规范是如何在竞争和白人中产阶级文化秩序的理想中找到背景的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Home Cultures
Home Cultures ARCHITECTURE-
CiteScore
0.80
自引率
0.00%
发文量
12
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