{"title":"Revelation and Misunderstanding","authors":"Geger Riyanto","doi":"10.1080/13639811.2020.1820777","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article considers the millenarian disposition among the Buton of North Seram sub-district, Maluku. Particular focus is paid to how the Buton interpret their inclusion in indigenous cosmologies, given their current precarious and humiliating existence. In Maluku, the Buton have long been regarded as lower-class people, outsiders who are excluded from local cultural schematics and are both socially and legally vulnerable. Instead of simply seeing their aspiration for a new and perfect social order as something springing from their desire to end their predicament, and rather than viewing their belief as something invented for this end, I suggest that the incongruent communication of cosmological tropes is important in the formation of their millenarian framework. The Buton understand the presence of their mythical representations in the indigenous cosmologies as evidence of the original order, which inspires them to believe that the Seram people are concealing the truth and that its revelation will upturn the current oppressive order. For the often referred Seram communities, however, the inclusion of Buton mythical representations is a way of assimilating a powerful, dangerous stranger and perpetuating the wholeness of their cosmology. The emphasis on the productivity of the misunderstanding rather than the creative act of expanding symbolic frameworks helps explain the peculiar relationality which grounds Buton millenarianism.","PeriodicalId":44721,"journal":{"name":"Indonesia and the Malay World","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13639811.2020.1820777","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indonesia and the Malay World","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13639811.2020.1820777","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT This article considers the millenarian disposition among the Buton of North Seram sub-district, Maluku. Particular focus is paid to how the Buton interpret their inclusion in indigenous cosmologies, given their current precarious and humiliating existence. In Maluku, the Buton have long been regarded as lower-class people, outsiders who are excluded from local cultural schematics and are both socially and legally vulnerable. Instead of simply seeing their aspiration for a new and perfect social order as something springing from their desire to end their predicament, and rather than viewing their belief as something invented for this end, I suggest that the incongruent communication of cosmological tropes is important in the formation of their millenarian framework. The Buton understand the presence of their mythical representations in the indigenous cosmologies as evidence of the original order, which inspires them to believe that the Seram people are concealing the truth and that its revelation will upturn the current oppressive order. For the often referred Seram communities, however, the inclusion of Buton mythical representations is a way of assimilating a powerful, dangerous stranger and perpetuating the wholeness of their cosmology. The emphasis on the productivity of the misunderstanding rather than the creative act of expanding symbolic frameworks helps explain the peculiar relationality which grounds Buton millenarianism.
期刊介绍:
Indonesia and the Malay World is a peer-reviewed journal that is committed to the publication of scholarship in the arts and humanities on maritime Southeast Asia. It particularly focuses on the study of the languages, literatures, art, archaeology, history, religion, anthropology, performing arts, cinema and tourism of the region. In addition to welcoming individual articles, it also publishes special issues focusing on a particular theme or region. The journal is published three times a year, in March, July, and November.