INTERTEXTUAL PARAMETERS OF THE DRAMATIC PERSONALITY OF SOPHOCLES’ PHILOCTETES AT ANDRE GIDE AND YANNIS RITSOS

Panagiotis Asimopoulos
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Abstract

Undoubtedly the constructive, dialectical relation of the literary works reflects the significant and diachronic people’s need to be orientated towards revived cells of the archetypal core, but also to the actualized motives related to their mythic foundation. This universal ascertainment is verified by the fact that famous and gifted creators adopt the unparalleled spirituality and the profound messages that spontaneously spring from selected verses of classic Greek tragedies. In a perfect connection with intellectually enlightened Sophocle Andre Gide, perspicacious Proteus of the French dramaturgy and Yannis Ritsos, the revolotionary figure of the Modern Greek poetry deal with Philoctetes, the legendary archer: Thus the puritanical nuance of bourgeois arrogance and the unrestrained, youthful impulsiveness are bridged at Gide’s “ Philoctetes ” (1898). At the same time the anti-conventional, hedonistic poet’s gens are harmonized ideally with the standards of the traditional literature. Analogously at the homonymous poem of the awarded collection “ The Fourth Dimension ” (1963-1965), at this non-marxist inspiration Yannis Ritsos released from political beliefs approaches the existentialistic balance of the conscious choice between the active, social responsibility and the subjugated art.
索福克勒斯在安德烈·吉德和扬尼斯·里索斯的文学家戏剧人格的互文参数
毫无疑问,文学作品的建设性和辩证关系反映了人们对原型核心的复活细胞的重要和历时性的需求,以及与他们的神话基础相关的实现动机。这一普遍确定的事实得到了证实,即著名和有天赋的创作者采用了无与伦比的灵性和深刻的信息,这些信息自发地从经典希腊悲剧的精选诗句中产生。在与知性开明的索福克勒·安德烈·纪德,法国戏剧家敏锐的普罗图斯和现代希腊诗歌的革命人物扬尼斯·里索斯的完美联系中,谈到了传奇射手菲罗克忒忒斯:因此,清教徒式的资产阶级傲慢和无拘无束的年轻冲动在纪德的《菲罗克忒忒斯》(1898)中架起了桥梁。与此同时,反传统、享乐主义的诗人氏族也与传统文学的标准实现了理想的和谐。类似地,在获奖诗集《第四维度》(1963-1965)的同名诗歌中,在这种非马克思主义的启发下,扬尼斯·里索斯从政治信仰中解脱出来,在积极的社会责任和被征服的艺术之间有意识地选择存在主义的平衡。
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