East of the West: Repossessing the Past In India

IF 0.5 Q1 HISTORY
Indira Chowdhury, S. Mandal
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引用次数: 1

Abstract

Public history, as it is practised in India, defies easy attempts at classification. This is partially because hardly anything that would be recognised as public history is identified as such by its author(s). For the term, despite its ever-increasing acceptance outside India as a discipline and a practice distinct from history, has yet to gain any currency within India. Any attempt to identify works that are self-consciously public history in the Indian context will likely not yield much fruit. Nor, for that matter, will borrowing any of the many definitions of the term from the West and trying to find works that adhere to it in India. Instead, this chapter will try to highlight the myriad forms that public engagements with the past have taken place in India. This article focuses specifically on museums, arguably the preeminent site of public engagements with the past in India. To that end, it will look at a new generation of museums that are charting new paths towards enabling a better public engagement with the past. It will also analyse a few institutional forms of public engagements with the past.
西方的东方:在印度重新拥有过去
公共历史,正如在印度所实行的那样,难以轻易地进行分类。这在一定程度上是因为几乎没有任何被公认为公共历史的东西被其作者认定为公共历史。就这个术语而言,尽管它在印度以外越来越被接受为一门不同于历史的学科和实践,但在印度国内尚未获得任何货币。任何试图在印度背景下识别自觉公开历史的作品都可能不会取得多大成果。就这一点而言,也不会从西方借用这个词的许多定义中的任何一个,并试图在印度找到符合它的作品。相反,本章将试图强调印度过去发生的无数形式的公众参与。这篇文章特别关注博物馆,可以说是印度公众参与过去事务的卓越场所。为此,它将着眼于新一代博物馆,它们正在制定新的道路,以更好地让公众参与过去。它还将分析过去公众参与的一些制度形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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3
审稿时长
52 weeks
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