The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV’s France

IF 1 2区 历史学 Q1 HISTORY
Élodie Peyrol-Kleiber
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Abstract

those who joined the Union effort towards the end of the war. This chapter also looks at enslaved individuals who joined the Confederacy, though Thorp argues that this only occurred as a result of force and not by choice. The following chapter shifts to look at the post-war status of Montgomery County and how families and communities responded to their newly acquired freedom. Thorp uses this chapter to illuminate post-war tensions between enslavers and recently emancipated individuals while also highlighting moments of continuity. While some individuals engaged in physical and legal battles for freedom and recognition, others maintained relationships with their former enslavers and, in some instances, remained on plantations under varied arrangements. The sixth and final chapter follows the families formed on the Smithfield plantations as they moved away from Montgomery County. This chapter looks at how these individuals navigated new opportunities and challenges as they migrated away from Smithfield to create their own legacies. In the True Blue’s Wake provides a compelling, exceptional, and deeply personal account of life and family during enslavement and in the wake of emancipation. Thorp’s outstanding genealogical research –which is neatly accessible in the appendices – will undoubtedly appeal to academics. At the same time, the easily consumable prose ensures that this story is approachable to a general audience. Like all great endeavours, however, this work does not go unscathed by oversight or errors. Limited evidence in the book’s first half forces the author to make numerous subjective leaps and fill in gaps with possibilities rather than facts. Thorp’s heavy reliance on cohabitation records and inclination to focus primarily on family units leaves many individuals enslaved at Smithfield out of their own story. Additionally, the author alternates between the use of given and surnames – as well as calling numerous individuals by the same surname – which will undoubtedly cause some confusion. Nevertheless, this book’s contributions overshadow its faults. This book is, by all counts, an impressive history that clarifies the undeniable overlap between history and genealogy.
海上的太阳王:路易十四统治下的法国的海上艺术和帆船奴隶制
那些在战争结束前加入联邦的人这一章还讨论了加入邦联的被奴役的人,尽管索普认为这只是由于武力而不是出于选择。接下来的章节转向蒙哥马利县的战后状况,以及家庭和社区如何应对他们新获得的自由。索普用这一章阐明了战后奴隶贩子和新近获得解放的个人之间的紧张关系,同时也强调了连续性的时刻。有些人为争取自由和得到承认而进行人身和法律上的斗争,而另一些人则与他们以前的奴隶主保持关系,在某些情况下,根据各种安排留在种植园。第六章也是最后一章讲述了在史密斯菲尔德种植园组建的家庭,他们从蒙哥马利县搬了出来。本章着眼于这些人如何驾驭新的机遇和挑战,因为他们离开史密斯菲尔德,创造自己的遗产。在真正的蓝色的觉醒提供了一个引人注目的,独特的,深刻的个人生活和家庭在奴役和解放之后的叙述。索普杰出的家谱研究——在附录中可以很容易地找到——无疑会吸引学者。与此同时,易于消费的散文确保了这个故事是平易近人的一般观众。然而,像所有伟大的努力一样,这项工作并非没有受到疏忽或错误的损害。在书的前半部分,有限的证据迫使作者做出许多主观的跳跃,用可能性而不是事实来填补空白。索普对同居记录的严重依赖,以及主要关注家庭单位的倾向,使许多在史密斯菲尔德被奴役的人脱离了他们自己的故事。此外,作者在名字和姓氏之间交替使用——以及用相同的姓氏称呼许多人——这无疑会造成一些混淆。然而,这本书的贡献掩盖了它的缺点。从各方面来看,这本书都是一部令人印象深刻的历史,它阐明了历史和家谱之间不可否认的重叠。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
28.60%
发文量
50
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