Not New to This: A Genealogical Approach to Black Girls’ Media Production

IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
A. Wade
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引用次数: 0

Abstract

During the nineteenth and early to mid-twentieth centuries, the Black press served as a cornerstone of Black social and political life in the United States. For Black Americans, newspapers and magazines functioned as both informational resources and philosophical spaces that engaged conversations of racial uplift, which often centered Black girlhood as an especially important site for assessing racial progress. Despite the evolving nature of media platforms themselves, the relationship between media and Black Americans continues to be a tool by which to measure the pulse of Black life; the role of digital media in the lives of twenty-first-century Black Americans mirrors that of Black magazines and newspapers in the nineteenth and twentieth centuries. Of particular note is the way that Black youth, especially Black girls, use digital media spaces to make themselves (and their experiences) visible and generate social discourse through the content they post on social media. In this article, I look at historical Black titles—the Woman's Era and the Brownies’ Book—as well as contemporary Black girls’ social media content to show how Black girls have historically developed a discourse of Black girlhood alongside their adult counterparts who were concerned with racial uplift and continue to author and theorize their lives through digital media.
这并不新鲜:黑人女孩媒体制作的系谱方法
在19世纪和20世纪初至中期,黑人新闻界是美国黑人社会和政治生活的基石。对于美国黑人来说,报纸和杂志既是信息资源,也是哲学空间,参与种族提升的对话,而种族提升往往将黑人少女时代作为评估种族进步的一个特别重要的场所。尽管媒体平台本身具有不断演变的性质,但媒体与美国黑人之间的关系仍然是衡量黑人生活脉搏的工具;数字媒体在21世纪美国黑人生活中的作用反映了19世纪和20世纪黑人杂志和报纸的作用。特别值得注意的是,黑人青年,尤其是黑人女孩,利用数字媒体空间,通过他们在社交媒体上发布的内容,让自己(和他们的经历)变得可见,并产生社会话语。在这篇文章中,我观察了历史上的黑人书名——《女人时代》和《布朗尼之书》——以及当代黑人女孩的社交媒体内容,以展示黑人女孩如何在历史上与关注种族提升并继续通过数字媒体创作和理论化自己生活的成年女孩一起发展出黑人女孩时代的话语。
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来源期刊
CAMERA OBSCURA
CAMERA OBSCURA FILM, RADIO, TELEVISION-
CiteScore
0.30
自引率
0.00%
发文量
12
期刊介绍: Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.
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