An annotated interview with Beastwars

IF 0.2 Q3 Arts and Humanities
Perfect Beat Pub Date : 2023-01-31 DOI:10.1558/prbt.23746
Jessica Kruk, W. Robertson
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引用次数: 0

Abstract

In 2021, we interviewed Matt Hyde of Wellington’s Beastwars for our ethnographic podcast Lingua Brutallica as part of a project exploring language in metal scenes outside of America and Europe. In this annotated interview, we edit, discuss and frame the content of the interview in relation to how Hyde’s comments shed light on important conflicts between personal, local and global understandings of what makes ‘metal’ lyrics and music. The interview covers, in Hyde’s own words, his approach to metal lyrics, and how he weaves his personal experiences and New Zealand’s unique landscape into images of pagan rituals, ancient battles, death, and other emblems of international ‘metal’ practices. This distinctive taste of New Zealand metal that results brings together the local and international scenes that devour it. Through breaking up the transcript with commentary on the sociolinguistic insights Hyde provides on understandings of language, metal and identity, we explore how Hyde aligns with, resists, and feels pressured by stereotypes of ‘metal language’, producing a guided tour of how a key figure in New Zealand metal has navigated the fluidity of ‘local’ and ‘global’ language practice in metal music throughout his 15 years in the scene.
对Beastwars的带注释的采访
2021年,我们为民族志播客Lingua Brutalica采访了惠灵顿Beastwars的Matt Hyde,这是探索美国和欧洲以外金属场景中语言的项目的一部分。在这篇带注释的采访中,我们编辑、讨论和界定了采访的内容,以及海德的评论如何揭示了个人、地方和全球对“金属”歌词和音乐的理解之间的重要冲突。用海德自己的话来说,采访涵盖了他对金属歌词的处理方式,以及他如何将自己的个人经历和新西兰独特的景观编织成异教徒仪式、古代战斗、死亡和其他国际“金属”实践的象征。这种对新西兰金属的独特品味将吞噬它的当地和国际场景结合在一起。通过对海德对语言、金属和身份理解的社会语言学见解进行评论,我们探索海德是如何与“金属语言”的刻板印象保持一致、抵制和感受压力的,在导游的带领下,新西兰金属界的一位关键人物在金属音乐领域的15年中,如何驾驭“本地”和“全球”语言实践的流动性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Perfect Beat
Perfect Beat MUSIC-
CiteScore
0.60
自引率
0.00%
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