Æthelwulf’s De abbatibus and the Anglo-Saxon Ecological Imagination

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
John T. R. Terry, S. Kay, Nicolette Zeeman
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引用次数: 0

Abstract

Modern scholarship on early medieval views of nature tends to rely too heavily on binary interpretations of positive and negative representations. This article uses an early ninth-century Anglo-Latin poem, Æthelwulf’s De abbatibus (“On the abbots” of an unknown Northumbrian monastic community), as a window into the ways in which early medieval people saw their natural world not as a passive space for human activity, but as an active participant in religious life. This reading comports with ecocritical interpretations of Æthelwulf’s poem alongside contemporary Anglo-Saxon stone sculpture. An understudied text, Æthelwulf’s De abbatibus provides an opportunity to understand how early medieval people could situate nature at a narrative’s center, crediting it with the capacity to shape religious behavior and belief. Æthelwulf’s work should be seen among a rich late antique and early medieval literary and artistic tradition of ecological imagination, in which nature was an interpretive key for articulating religious identity and community.
Æthelwulf的De abbatibus和盎格鲁撒克逊人的生态想象
中世纪早期自然观的现代学术往往过于依赖于积极和消极表征的二元解释。这篇文章使用了一首9世纪早期的盎格鲁-拉丁诗歌,Æthelwulf的De abbatibus(一个不知名的诺森伯兰修道院社区的“修道院修士”),作为一个窗口,了解中世纪早期的人们如何看待他们的自然世界,而不是作为人类活动的被动空间,而是作为宗教生活的积极参与者。这种阅读符合生态批评的解释Æthelwulf的诗与当代盎格鲁-撒克逊石雕。一个未被充分研究的文本,Æthelwulf的De abbatibus提供了一个机会,让我们了解中世纪早期的人们如何将自然置于叙事的中心,并将其归功于塑造宗教行为和信仰的能力。Æthelwulf的作品应该在丰富的古代晚期和中世纪早期生态想象的文学和艺术传统中看到,其中自然是阐明宗教身份和社区的解释性关键。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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