Virtual Production and the potential impact on regional filmmaking

J. Fair
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Abstract

Virtual Production (VP) has seen enormous growth in the last few years. The technology enables filmmakers to project locations onto a giant LED wall backdrop in a studio space, providing a photorealistic setting at the click of a button. Exciting though these developments are for the industry, our governments need to explore and understand what the trend away from traditional filmmaking may mean. There could be some hidden consequences that impact upon existing policy objectives. This paper focuses specifically upon the potential challenges that regional filmmaking may face as a result of VP; including a loss of production revenue in the local economy, possible skills migration and a threat to screen tourism. The paper argues that interventionist policy making, similar to successful tax relief schemes that have invigorated the UK cultural industries in recent years, could help steer the new technology in directions that help meet wider policy agendas, rather than usurp them.
虚拟制作及其对区域电影制作的潜在影响
虚拟生产(VP)在过去几年中出现了巨大的增长。这项技术使电影制作人能够在工作室的巨大LED墙背景上投影位置,只需点击按钮即可提供逼真的设置。尽管这些发展对电影业来说是令人兴奋的,但我们的政府需要探索和理解脱离传统电影制作的趋势可能意味着什么。可能存在一些影响现有政策目标的隐性后果。本文特别关注区域电影制作可能因副总裁而面临的潜在挑战;包括当地经济的生产收入损失、可能的技能迁移以及对屏幕旅游的威胁。该论文认为,干预主义政策制定,类似于近年来振兴英国文化产业的成功税收减免计划,可以帮助引导新技术朝着有助于满足更广泛政策议程的方向发展,而不是篡夺它们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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