Photographic Digital Heritage in Cultural Conflicts: A Critical Introduction

IF 0.2 4区 艺术学 0 ART
Gil Pasternak
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引用次数: 4

Abstract

Abstract This introduction to the special issue “Photographic Digital Heritage in Cultural Conflicts” calls for the development of research into the various local and global political circumstances that have influenced the absorption of historical photographs into the realm of digital heritage, alongside the study of the digital photographic heritagization practices triggered by this very process. Opening with an exploration of the emergence of “the heritage phenomenon”, it analyses how photography, heritage, and the political arena have become interlocked. The discussion then considers how historical photographs, digital heritage and cultural conflicts have subsequently also become entangled since the post-Cold War rising prevalence of digital technology, global interconnectedness and liberal democracy. These related conditions, it is suggested, have informed the growing digital heritagization of historical photographs and the methods used for their digitization, safeguarding and dissemination. Before introducing the individual contributions to the issue, the text therefore argues that the confluence of historical photographs and digital heritage must not be understood as a mere response to technological progress but as an articulation of politically-charged aspirations to capitalize on the common association of photographs with the past, to administer approaches to differing cultural values in a time of imposing liberal-democratic politics of consensus.
文化冲突中的数码摄影遗产:批判性导论
摘要本期特刊“文化冲突中的摄影数字遗产”的介绍呼吁对影响历史照片融入数字遗产领域的各种地方和全球政治环境进行研究,同时研究由这一过程引发的数字摄影传承实践。它以探索“遗产现象”的出现为开端,分析了摄影、遗产和政治舞台是如何相互联系的。然后,讨论考虑了自冷战后数字技术、全球互联和自由民主日益流行以来,历史照片、数字遗产和文化冲突是如何纠缠在一起的。有人认为,这些相关条件为历史照片日益增长的数字遗产化及其数字化、保护和传播方法提供了信息。因此,在介绍个人对这一问题的贡献之前,案文认为,历史照片和数字遗产的融合不能被理解为仅仅是对技术进步的回应,而是表达了利用照片与过去的共同联系的政治诉求,在强加共识的自由民主政治的时代,管理不同文化价值观的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
22
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