Creepy Little Girl

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Karen E Macfarlane
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引用次数: 1

Abstract

The Creepy Little Girl is a subset of the Gothic Child and as such, she works differently from the evil child or the monstrous child in contemporary Gothic. Unlike the contradictions inherent in representations of the evil child whose presence is disruption and destruction, or the monstrous child who is dangerous, the Creepy Little Girl serves as a function of the Gothic: she is that figure through which the narrative is unsettled and the Gothic intrudes. The Creepy Little Girl is defined by her hypergendered position in the narratives in which she appears: as both ‘little’ and very much as ‘girl’. The little girl's presence in contemporary gothic narratives destabilises the familiar, the domestic, and the cute and that is the basis for the gothic unease that she engenders.
恐怖小女孩
《怪诞小女孩》是哥特式儿童的一个子集,因此,她的作品与当代哥特式中的邪恶儿童或怪物儿童不同。与表现邪恶儿童(其存在是破坏和毁灭)或可怕儿童(其危险)所固有的矛盾不同,《怪诞小女孩》是哥特式的一种功能:她是叙事不稳定和哥特式入侵的人物。《怪诞小女孩》的定义是她在故事中的超性别地位:既是“小”又是“女孩”。小女孩在当代哥特式叙事中的存在破坏了熟悉的、家庭的和可爱的东西的稳定,这也是她产生哥特式不安的基础。
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来源期刊
Gothic Studies
Gothic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.
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