In Pursuit of Provenance: J. M. W. Turner’s 1830 Midland Journey and His Dudley, Worcestershire Watercolour

IF 0.1 Q3 HISTORY
B. Clifford
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Abstract

ABSTRACT J. M. W. Turner (1775–1851) toured the English Midlands in summer 1830. An outcome of the journey was a watercolour now in the collection of the Lady Lever Art Gallery, Wirral, entitled Dudley, Worcestershire (Figure 1). A version of the same scene attributed to Turner entitled Lime Kilns with Dudley Castle (Figure 2) was bequeathed to the Dudley Art Gallery in 1947 by Henry Pearman Bagott (1861–1946), a Dudley solicitor. The provenance of the watercolours is considered in the light of questions posed by the re-discovery of a catalogue of the collection of Dr George Charles Williamson (1858–1942), a previous owner of the latter version. The catalogue links Turner’s relationship with the Birmingham-born artist, David Cox (1783–1859) to the involvement of the Wolverhampton industrialist, Laurence William Hodson (1864–1933), and forms the basis for possible further research on the provenance of the versions of Turner’s watercolours of Dudley.
追寻普罗旺斯:J·M·W·特纳1830年的米德兰之旅和他的达德利,伍斯特郡水彩
摘要J·M·W·特纳(1775-1851)于1830年夏天游历了英格兰中部地区。旅程的一个成果是一幅水彩画,现在收藏在威勒尔的利弗夫人美术馆,名为《伍斯特郡达德利》(图1)。1947年,达德利律师亨利·皮尔曼·巴戈特(1861–1946)将同一场景的一个版本遗赠给了达德利美术馆,名为《石灰窑与达德利城堡》(图2)。这些水彩画的出处是根据重新发现乔治·查尔斯·威廉姆森博士(1858-1942)收藏目录所提出的问题来考虑的,后者是后一版本的前主人。该目录将特纳与伯明翰出生的艺术家大卫·考克斯(1783-1859)的关系与伍尔弗汉普顿实业家劳伦斯·威廉·霍德森(1864-1933)的参与联系起来,并为进一步研究特纳的达德利水彩画版本的出处奠定了基础。
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来源期刊
Midland History
Midland History HISTORY-
CiteScore
0.10
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38
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