Detecting Meaninglessness and Meaning in Don DeLillo’s Players

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Rhys William Tyers
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引用次数: 0

Abstract

This article discusses Don DeLillo's Players as a critique of the media and the extent to which our lives are shaped and influenced by our interaction with the detective and thriller genres. Drawing upon Baudrillard’s definition of the hyperreal and Jameson’s understanding of postmodernity, I explore the novel's depiction of Lyle and Pammy Wynant’s journey as a reaction against the controlling nature of the media, and the couple's experience of the world through the detective and thriller genres. I argue that DeLillo’s Players provides penetrating insights into the extent to which our postmodern cultural moment is deadly to the individual. I suggest that the defining features of the novel’s characters are their subjection to the anonymizing processes of the media and their sense of dissatisfaction and yearning for escape and adventure.
从唐·德利洛的球员身上发现无意义与意义
本文将讨论Don DeLillo的《玩家》作为对媒体的批判,以及我们与侦探和惊悚题材的互动在多大程度上塑造和影响了我们的生活。借鉴鲍德里亚对超真实的定义和詹姆森对后现代的理解,我探索了小说对莱尔和帕米·维南特的旅程的描述,作为对媒体控制本质的反应,以及这对夫妇通过侦探和惊悚类型对世界的体验。我认为,德里罗的《玩家》提供了深刻的见解,揭示了后现代文化时刻对个人的致命程度。我认为,小说人物的决定性特征是他们对媒体匿名化过程的服从,以及他们对逃避和冒险的不满和渴望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CANADIAN REVIEW OF AMERICAN STUDIES
CANADIAN REVIEW OF AMERICAN STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
26
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