Ad vitandam confusionem. Una aproximación analítica al tratado sobre perspectiva de Andrea Pozzo = Ad vitandam confusionem. An Analytical Approach to Andrea Pozzo’s Treatise on Perspective

IF 0.2 0 ART
S. F. Lázaro
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引用次数: 1

Abstract

espanolEl tratado Perspectiva Pictorum Architectorum es uno de los principales meritos que han consagrado al hermano coadjutor Andrea Pozzo (1642-1709) como el mas renombrado artista de la Compania de Jesus. A pesar de haber servido a pintores, geometras y arquitectos del ultimo Barroco en cuatro continentes como fuente de formacion y repertorio visual, sigue siendo un texto citado mayormente de modo superficial. El presente examen de sus contenidos pretende analizar su organizacion y los diferentes propositos que fundamentaron la obra, esto es: ponderar la arquitectura de la Orden y del propio Pozzo; servir de eficaz manual de taller; y, entonces como hoy en dia, interesar como objeto de bibliofilia. EnglishAbstractThe treatise Perspective Pictorum Architectorum is one of the main reasons that have consecrated brother coadjutor Andrea Pozzo (1642-1709) as the most renowned artist of the Society of Jesus. Despite having served painters, geometricians and architects of four continents as a source of instruction and visual repertoire during the Late Baroque, it still remains –save honorable exceptions– as a superficially read text. Our examination of its contents analyzes how the plates were grouped to fulfill the different functions which the treatise was meant to accomplish, i.e.: praising Jesuit architecture and the one designed by Pozzo himself; being effective as a workshop manual; and, then as now, drawing attention to its character as an object of bibliophilia.
因此,他们混淆了。安德里亚·波佐的《透视论》的分析方法= Ad vitandam confusionem。An Analytical Andrea Pozzo’s Treatise on Approach to Perspective
西班牙《透视Pictorum Architectorum条约》是将兄弟合着者Andrea Pozzo(1642-1709)奉为耶稣公司最著名艺术家的主要功绩之一。尽管他曾在四大洲为巴洛克晚期的画家、几何学家和建筑师提供培训和视觉曲目的来源,但这仍然是一篇主要以肤浅的方式引用的文本。目前对其内容的审查旨在分析其组织和构成作品基础的不同目标,即:权衡秩序和火山口本身的建筑;作为有效的车间手册;y、 然后像今天一样,以图书为对象感兴趣。《从条约的角度来看绘画建筑师》是兄弟合著者安德里亚·波佐(1642-1709)成为耶稣会最著名的艺术家的主要原因之一。尽管在晚期大气压期间曾服务于四大洲的画家、几何学家和建筑师,作为教学和视觉曲目的来源,但除了可敬的例外,它仍然是一种表面上阅读的文本。我们对其内容的审查分析了这些盘子是如何分组的,以履行条约旨在实现的不同功能,即:赞美耶稣会建筑和波佐自己设计的建筑;作为车间手册有效;然后,像现在一样,提请注意它作为书目对象的特性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
27
审稿时长
30 weeks
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