Ad vitandam confusionem. Una aproximación analítica al tratado sobre perspectiva de Andrea Pozzo = Ad vitandam confusionem. An Analytical Approach to Andrea Pozzo’s Treatise on Perspective
{"title":"Ad vitandam confusionem. Una aproximación analítica al tratado sobre perspectiva de Andrea Pozzo = Ad vitandam confusionem. An Analytical Approach to Andrea Pozzo’s Treatise on Perspective","authors":"S. F. Lázaro","doi":"10.5944/etfvii.7.2019.24219","DOIUrl":null,"url":null,"abstract":"espanolEl tratado Perspectiva Pictorum Architectorum es uno de los principales meritos que han consagrado al hermano coadjutor Andrea Pozzo (1642-1709) como el mas renombrado artista de la Compania de Jesus. A pesar de haber servido a pintores, geometras y arquitectos del ultimo Barroco en cuatro continentes como fuente de formacion y repertorio visual, sigue siendo un texto citado mayormente de modo superficial. El presente examen de sus contenidos pretende analizar su organizacion y los diferentes propositos que fundamentaron la obra, esto es: ponderar la arquitectura de la Orden y del propio Pozzo; servir de eficaz manual de taller; y, entonces como hoy en dia, interesar como objeto de bibliofilia. EnglishAbstractThe treatise Perspective Pictorum Architectorum is one of the main reasons that have consecrated brother coadjutor Andrea Pozzo (1642-1709) as the most renowned artist of the Society of Jesus. Despite having served painters, geometricians and architects of four continents as a source of instruction and visual repertoire during the Late Baroque, it still remains –save honorable exceptions– as a superficially read text. Our examination of its contents analyzes how the plates were grouped to fulfill the different functions which the treatise was meant to accomplish, i.e.: praising Jesuit architecture and the one designed by Pozzo himself; being effective as a workshop manual; and, then as now, drawing attention to its character as an object of bibliophilia.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"103-130"},"PeriodicalIF":0.2000,"publicationDate":"2019-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/etfvii.7.2019.24219","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1
Abstract
espanolEl tratado Perspectiva Pictorum Architectorum es uno de los principales meritos que han consagrado al hermano coadjutor Andrea Pozzo (1642-1709) como el mas renombrado artista de la Compania de Jesus. A pesar de haber servido a pintores, geometras y arquitectos del ultimo Barroco en cuatro continentes como fuente de formacion y repertorio visual, sigue siendo un texto citado mayormente de modo superficial. El presente examen de sus contenidos pretende analizar su organizacion y los diferentes propositos que fundamentaron la obra, esto es: ponderar la arquitectura de la Orden y del propio Pozzo; servir de eficaz manual de taller; y, entonces como hoy en dia, interesar como objeto de bibliofilia. EnglishAbstractThe treatise Perspective Pictorum Architectorum is one of the main reasons that have consecrated brother coadjutor Andrea Pozzo (1642-1709) as the most renowned artist of the Society of Jesus. Despite having served painters, geometricians and architects of four continents as a source of instruction and visual repertoire during the Late Baroque, it still remains –save honorable exceptions– as a superficially read text. Our examination of its contents analyzes how the plates were grouped to fulfill the different functions which the treatise was meant to accomplish, i.e.: praising Jesuit architecture and the one designed by Pozzo himself; being effective as a workshop manual; and, then as now, drawing attention to its character as an object of bibliophilia.