Challenging the Roma Structural Discrimination: Deterritorialization Practices in Romanian Cinema

IF 0.1 0 LITERATURE
Simona Mitroiu
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引用次数: 0

Abstract

This paper examines the cinematographic reworking of memory spaces associated with power relations and structural injustice. The way in which space is represented and used as a medium that reflects power relations allows to question the space itself in cultural productions from Central-Eastern Europe when associated with Romani people (space and power relations, memory of slavery and discrimination, space and freedom, territoriality, space and its inhabitants, non-belonging, segregation, etc.). The paper focuses on motion pictures produced in the last decade in Romania, a prolific period due to the increasing interest for memory activism and to the multiplication of the cultural exploration of challenging topics. It aims to identify narrative, visual, and aesthetic expressions used as deterritorialization practices to stimulate relational remembrance and engagement with ongoing social inequality and structural injustice. Two short films – Alina Șerban’ s Bilet de iertare (Letter of forgiveness) and Adrian Silișteanu’s Scris/Nescris (Written/Unwritten) – and a western type film – Radu Jude’s Aferim!, winner of the Silver Bear for Best director at Berlinale in 2015, are analysed here.
挑战罗姆人的结构性歧视:罗马尼亚电影中的非理性化实践
本文探讨了与权力关系和结构不公正相关的记忆空间的电影再加工。空间被表现和用作反映权力关系的媒介的方式,允许在与罗姆人相关的中欧和东欧文化产品中质疑空间本身(空间和权力关系,奴隶制和歧视的记忆,空间和自由,领土,空间及其居民,非归属,隔离等)。本文的重点是在罗马尼亚生产的电影在过去十年,一个多产的时期,由于对记忆活动主义的兴趣日益增加,并对具有挑战性的话题的文化探索的乘法。它旨在识别叙事、视觉和美学表达,作为非领土化实践,以刺激关系记忆和参与持续的社会不平等和结构性不公正。两部短片——Alina Șerban的Bilet de iertare(原谅的信)和Adrian Silișteanu的Scris/Nescris(书面/未书面)——以及一部西部片——Radu Jude的Aferim!2015年柏林电影节最佳导演银熊奖得主。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Metacritic Journal for Comparative Studies and Theory
Metacritic Journal for Comparative Studies and Theory Arts and Humanities-Arts and Humanities (all)
CiteScore
0.90
自引率
0.00%
发文量
15
审稿时长
7 weeks
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