Introduction: Late Hammer

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2021-12-01 DOI:10.1215/02705346-9349371

Patricia White

引用次数: 0

Abstract

This introduction to a dossier of short pieces on Barbara Hammer locates the work of the late filmmaker in the context of feminist film culture and the journal Camera Obscura. It briefly reviews several phases of the artist's career before focusing on the output of the last decade of the filmmaker's life. Diagnosed with terminal cancer, Hammer made work dealing with her body; gave footage she shot over the years to several filmmakers to finish as they wished; set up a grant for lesbian experimental filmmakers; and collaborated with curators, archivists, and her partner, Florrie Burke, to shape her own legacy. Pieces by the collaborators who contributed to this dossier are introduced.

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简介:晚锤

这是对芭芭拉·哈默短片档案的介绍，将这位已故电影制作人的作品放在女权主义电影文化和《Camera Obscura》杂志的背景下。它简要回顾了这位艺术家职业生涯的几个阶段，然后重点介绍了这位电影制作人生命中最后十年的产出。哈默被诊断为癌症晚期，她开始处理自己的身体；将她多年来拍摄的镜头交给了几位电影制作人，让他们随心所欲地完成；为女同性恋实验电影制作人设立一笔赠款；并与策展人、档案管理员和她的合作伙伴Florrie Burke合作，塑造了她自己的遗产。介绍了为这份档案做出贡献的合作者的作品。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.