{"title":"Familienkapellen auf dem Kirchhof und dem Gutshoffriedhof","authors":"Reet Pius","doi":"10.12697/BJAH.2017.13.07","DOIUrl":null,"url":null,"abstract":"The 1772 cemetery reform of Catherine the Great, Empress of Russia, resulted in great changes in the cemetery culture of Russia’s Baltic provinces. The ban on burials in churches and the vicinity of churches resulted in the rapid development of cemetery parks outside of settlements. The strong political relations of Estonia’s manor owners with the Russian central government resulted in the nobles being given the privilege to establish burial plots in the churchyards, but in Livonia, this was strictly prohibited. Simultaneously with the parish cemeteries, the owners of private manors established family cemeteries on their manors. The new cemeteries were not only places to bury the dead, but, inspired by contemporary poets, they were seen as family altars, which were visited regularly and which was accessed by path that was attuned to contemplation. The cemetery is complex, which includes a garden, chapel and allee, and if possible, a body of water. Noble trees were planted along the path leading to the cemetery. Oaks were preferred, which due their mighty shape were considered to be the symbol of family and nobility. Influenced by the poetry of the Enlightenment, evergreens – silver firs, thuja trees, and spruces – were called “sad trees”. The French poet Jacques Delille, whose works were popular among the Baltic Germans, sees women as mourners. And many family cemeteries were established at the initiative of women. Examples of Ancient Greek architecture, in the form of temples with porticos or antas, or the small-scale copies of the Pantheon from Ancient Rome, dominated in cemetery architecture. The chapel was comprised of underground burial chambers and above-ground memorials. A so-called memorial altar was located in the end wall of the chapel, which have survived until the present day in a few places. The Barclay de Tolly monument is the most majestic in Estonia. Already in the 1830s, the family chapels became memorials and burials no longer took place there. However, chapels continued to be built until in Estonia until the early 20th century.","PeriodicalId":52089,"journal":{"name":"Baltic Journal of Art History","volume":"13 1","pages":"131-164"},"PeriodicalIF":0.1000,"publicationDate":"2017-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.12697/BJAH.2017.13.07","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Baltic Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12697/BJAH.2017.13.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
The 1772 cemetery reform of Catherine the Great, Empress of Russia, resulted in great changes in the cemetery culture of Russia’s Baltic provinces. The ban on burials in churches and the vicinity of churches resulted in the rapid development of cemetery parks outside of settlements. The strong political relations of Estonia’s manor owners with the Russian central government resulted in the nobles being given the privilege to establish burial plots in the churchyards, but in Livonia, this was strictly prohibited. Simultaneously with the parish cemeteries, the owners of private manors established family cemeteries on their manors. The new cemeteries were not only places to bury the dead, but, inspired by contemporary poets, they were seen as family altars, which were visited regularly and which was accessed by path that was attuned to contemplation. The cemetery is complex, which includes a garden, chapel and allee, and if possible, a body of water. Noble trees were planted along the path leading to the cemetery. Oaks were preferred, which due their mighty shape were considered to be the symbol of family and nobility. Influenced by the poetry of the Enlightenment, evergreens – silver firs, thuja trees, and spruces – were called “sad trees”. The French poet Jacques Delille, whose works were popular among the Baltic Germans, sees women as mourners. And many family cemeteries were established at the initiative of women. Examples of Ancient Greek architecture, in the form of temples with porticos or antas, or the small-scale copies of the Pantheon from Ancient Rome, dominated in cemetery architecture. The chapel was comprised of underground burial chambers and above-ground memorials. A so-called memorial altar was located in the end wall of the chapel, which have survived until the present day in a few places. The Barclay de Tolly monument is the most majestic in Estonia. Already in the 1830s, the family chapels became memorials and burials no longer took place there. However, chapels continued to be built until in Estonia until the early 20th century.
期刊介绍:
THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.