“Cold Thinking” of the “Hot Communication” of Genderless Clothing in New Media—Based on the Perspectives of Gender, Media and Culture

Taolian Yang, Hao Zhong
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引用次数: 0

Abstract

The popularity of genderless clothing was regarded as a microcosm of various social and cultural phenomena in the new media era, and it was also regarded as a new phenomenon arising from the close integration of new media and life. Its formation mechanism and characteristics of new media, gender culture and clothing culture were closely linked. Based on the perspectives of gender, media and culture, this paper started from the phenomenon of the popularity of genderless clothing, and analyzed the characteristics and logic of the communication of genderless clothing in new media. Further research found that genderless clothing had lost its own meaning of “gender equality” after the “hot communication”. It was specifically explained from three aspects: gender cognition, media platform, and consumer culture, in order to promote the harmonious development of gender and clothing.
新媒体中性服饰“热传播”的“冷思考”——基于性别、媒介和文化的视角
无性别服装的流行被视为新媒体时代各种社会文化现象的一个缩影,也被视为新媒体与生活紧密结合而产生的一种新现象。它的形成机制和特征与新媒体、性别文化和服饰文化紧密相连。本文基于性别、媒介和文化的视角,从无性服装的流行现象入手,分析无性服装在新媒体中的传播特征和逻辑。进一步研究发现,在“热传”之后,无性服装已经失去了自身“性别平等”的意义。具体从性别认知、媒体平台、消费文化三个方面进行阐述,以促进性别与服装的和谐发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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