Crip/Mad Archive Dances

IF 0.3 4区艺术学 0 THEATER

THEATER Pub Date : 2022-05-01 DOI:10.1215/01610775-9662255

P. Kuppers

引用次数: 0

Abstract

Petra Kuppers reflects on her work in the crip/mad archive, which explores the work of mad, queer, and disabled predecessors in the fields of dance and performance. Kuppers consider how her personal relationship to therapeutic dance has changed (particularly therapeutic practices led by nondisabled artists such as Anne Wilson Wangh) and the importance of movement and embodiment in Kuppers’s own work—including a close description of ritual dance reenactments she conducted alongside her archival work at Lincoln Center in New York in 2021.

查看原文本刊更多论文

Crip/疯狂档案舞蹈

Petra Kuppers回顾了她在crip/mad档案中的工作，该档案探索了舞蹈和表演领域的疯狂，酷儿和残疾前辈的工作。Kuppers思考了她与治疗舞蹈的个人关系是如何变化的(特别是由安妮·威尔逊·王等非残疾艺术家领导的治疗实践)，以及运动和体现在Kuppers自己的作品中的重要性，包括她在2021年在纽约林肯中心的档案作品中进行的仪式舞蹈重演的详细描述。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

THEATER THEATER-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Individual subscribers and institutions with electronic access can view issues of Theater online. If you have not signed up, review the first-time access instructions. Published on behalf of the Yale School of Drama/Yale Repertory Theatre For more than thirty years Theater has been the most informative, serious, and imaginative American journal available to readers interested in contemporary theater.