Marketing Chinese Children’s Authors in an Age of Celebrity

Frances Weightman
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Abstract

In this paper I explore the topic of authorial self-fashioning in an age of celebrity. Specifically, I consider the persona of the contemporary children’s author, as he or she is constructed within the paraphernalia surrounding the main stories in children’s books. This paper is part of a broader project examining how authors and translators choose to represent themselves, or are represented by their agents and publishers, within the paratextual elements of books. The primary case study for this enquiry is Cao Wenxuan 曹文轩. Since winning the 2016 Hans Christian Andersen Award, and with an increasing volume of his work available in translation, Cao is the prime example of a celebrity Chinese children’s author, now with global recognition. Cao has always been a prolific preface writer and many of his works have other paratextual elements, including an exceptionally large number of photos of the author, all of which provide a rich source for a comprehensive evaluation of the image constructed by author/publisher of the author’s persona as presented in the ‘margins’ of the books.
名人时代的中国儿童作家营销
本文探讨了名人时代作家自我塑造的问题。具体来说,我考虑当代儿童作家的人格,因为他或她是在围绕儿童书籍的主要故事的用具中构建的。这篇论文是一个更广泛的项目的一部分,该项目研究作者和译者如何在书籍的意译元素中选择代表自己,或者由他们的代理人和出版商代表。本研究的主要案例研究是曹文轩的《魏文轩》。自2016年获得安徒生奖以来,随着其作品的翻译量不断增加,曹是中国著名儿童作家的典范,现在得到了全球的认可。曹一直是一位多产的序言作家,他的许多作品都有其他的双文本元素,包括作者的大量照片,所有这些都为作者/出版商在书的“空白处”所呈现的作者角色形象的综合评估提供了丰富的来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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