Re[PLAY] As imagens televisionadas do futebol como material videográfico

Q3 Arts and Humanities
Hugo Barata, J. Alves
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引用次数: 0

Abstract

The space dedicated to football in several and different television programs in which this industry is debated is often taken by the search for the “true image”, the image that proves the origin of the penalty, the image that supports the warning of the red card, or the image that betrays the irregularity of the goal. All these moments are, today, the target of thousands of hours of commentary in the television space, demonstrating a huge bias on the power of images repeated ad nauseum, there even being a moment where some formats of this type of program were questioned due to the « noise” and the “toxicity” that arose in such confrontations of ideas. This investigation aims to create an artistic object (filmic/video/installation) that explores the condition of the manipulable image-file that arises in this type of programs, and where it is often scrutinized, edited, altered, decontextualized, etc., in an incessant search for determination of a truth-moment.
Re[PLAY]电视转播的足球图像作为视频素材
在几个不同的电视节目中,专门讨论足球的空间往往被寻找“真实形象”所占据,这些形象证明了点球的起源,支持红牌警告的形象,或者背叛了进球的不规范。今天,所有这些时刻都是电视空间中成千上万小时评论的目标,显示出对反复出现的令人作呕的图像的力量的巨大偏见,甚至有一个时刻,由于这种思想对抗中产生的“噪音”和“毒性”,这类节目的某些格式受到质疑。本次调查旨在创造一个艺术对象(电影/视频/装置),探索在这类节目中出现的可操纵图像文件的状况,以及在不断寻找确定真相时刻的过程中,这些图像文件经常被仔细审查、编辑、修改、去语境化等。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Journal of Film and Media Arts
International Journal of Film and Media Arts Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
1
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