{"title":"Time is Now","authors":"M. Best","doi":"10.7227/jbr.5.6","DOIUrl":null,"url":null,"abstract":"This essay explores an exhibition at the Harvard Art Museums, installed in the\n fall of 2018, entitled Time is Now: Photography and Social Change in\n James Baldwin’s America.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"James Baldwin Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7227/jbr.5.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
This essay explores an exhibition at the Harvard Art Museums, installed in the
fall of 2018, entitled Time is Now: Photography and Social Change in
James Baldwin’s America.