French Literature: From Realism to Magical Realism

Ali Shahab, Faruk Faruk, A. Rokhman
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引用次数: 2

Abstract

The purpose of the article is to explore the evolution of French literature between the late 19th century and early 21st century. Although French literature has long been dominated by rationalistic ways of thinking, based on the thoughts of René Descartes and John Locke, authors have used different means to express their perceptions of society. The novel Madame Bovary (1856), including its depiction of conjugal relationships, can be considered to have pioneered realism in French literature. During the Second World War, existentialism and absurdism appeared as new ways of examining not only the relationship among humans, but also between humans and God. In the late 20th century, magical realism emerged as a new literary stream that explicitly recognized the irrationality of human thinking. This article finds that the rationality of realism was necessary for magical realism to be accepted; in this rationality, although works of magical realism were irrational, they had to be recognized as fine examples of French literature that embodied such revolutionary ideas as liberté (liberty), égalité (equality), and fraternité (fraternity). To study this phenomenon, we examine the history of french literature by applying archeological method in order to understand the world views of the authors and how they change over time.
法国文学:从现实主义到魔幻现实主义
本文旨在探讨19世纪末至21世纪初法国文学的演变。尽管法国文学长期以来一直以理性主义的思维方式为主,但基于勒内·笛卡尔和约翰·洛克的思想,作者们使用了不同的方式来表达他们对社会的看法。小说《包法利夫人》(1856),包括对夫妻关系的描写,可以被认为是法国文学中现实主义的先驱。在第二次世界大战期间,存在主义和荒诞主义不仅作为考察人与人之间关系的新方式出现,而且作为考察人和上帝之间关系的一种新方式出现。20世纪末,魔幻现实主义作为一种新的文学思潮出现,它明确承认了人类思维的非理性。本文认为现实主义的合理性是魔幻现实主义被接受的必要条件;在这种理性中,尽管魔幻现实主义作品是非理性的,但它们必须被公认为法国文学的优秀典范,体现了自由、平等和兄弟会等革命性思想。为了研究这一现象,我们运用考古学的方法来研究法国文学史,以了解作者的世界观以及他们如何随着时间的推移而变化。
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