Performing Resilience: Anchorage and Leverage in Live Action Role-Play Drama

IF 0.4 0 THEATER
Jamie Harper
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引用次数: 0

Abstract

Abstract The concept of resilience is frequently described within neoliberal discourses as the ability of individuals to bounce back from shocks and reflexively adapt to changing circumstances. In ecological sciences, however, resilience is more commonly understood as the capacity of systems to radically transform themselves, when their usual mode of operation is challenged, rather than simply reverting to their original state. This article considers how live action role-play, as a form of participatory performance, might support ecological resilience by enabling players to actively reflect on their cultural practices in constructing the systems of their play and develop new capacities in the process through intersubjective exchanges with diverse others.The notion of performing resilience is concretised through discussion of artistic research residencies at Trumpington Community Orchard in Cambridge in 2017 and the Peartree Bridge estate in Milton Keynes in 2018. These projects explored how encounters with unfamiliar spaces and beings might enable participants to play with their resilient changeability. Specifically, the article addresses the value of spatial reflexivity in building resilience, proposing spatial defamiliarization as an aesthetic strategy for transcending the immediate familiarity of habitual practices, expanding participants’ horizons of perception and imagination. These arguments yield a theoretical model for cultivating resilience through participatory performance termed anchorage-leverage. This model suggests that habit can provide the foundation for potential transformations of cultural practices as existing capacities are reconfigured by new relational connections, conferring new affordances that enable participants to radically reconfigure the ecologies in which they play and live.
表演弹性:锚定和杠杆在真人角色扮演戏剧
在新自由主义话语中,弹性的概念经常被描述为个体从冲击中反弹并反射性地适应不断变化的环境的能力。然而,在生态科学中,弹性通常被理解为系统在其通常的运作模式受到挑战时从根本上改变自身的能力,而不是简单地恢复到原始状态。本文考虑了真人角色扮演,作为一种参与式表演形式,如何通过使玩家在构建游戏系统时积极反思他们的文化实践,并通过与不同他人的主体间交流,在这一过程中发展新的能力,从而支持生态弹性。通过2017年在剑桥特朗平顿社区果园和2018年在米尔顿凯恩斯的梨树桥庄园的艺术研究驻地的讨论,表演弹性的概念具体化了。这些项目探索了与不熟悉的空间和生物的接触如何使参与者能够发挥他们的弹性变化。具体来说,本文探讨了空间反身性在建立弹性中的价值,提出空间陌生性作为一种美学策略,可以超越对习惯实践的直接熟悉,扩大参与者的感知和想象视野。这些论点产生了一个通过参与式绩效培养弹性的理论模型,称为锚定杠杆。这个模型表明,习惯可以为文化实践的潜在转变提供基础,因为现有的能力被新的关系连接重新配置,赋予新的支持,使参与者能够从根本上重新配置他们在其中玩耍和生活的生态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.80
自引率
40.00%
发文量
20
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